Books › The Instruments of the Modern Orchestra and Early Records of the Precursors of the Violin Family, in Two Volumes, Vol. I- Modern Orchestral Instruments (1910)
The Instruments of the Modern Orchestra and Early Records of the Precursors of the Violin Family, in Two Volumes, Vol. I- Modern Orchestral Instruments
1910.
On archive.org as india.history.resource.92824.
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|---|---|---|---|
| 2 | There is no text on this page. | Read | |
| 6 | THE INSTRUMENTS OF THE MODERN ORCHESTRA… | Read | |
| 7 | Printed by The New Temple Press, Croydon… | Read | |
| 8 | PREFACE. | Read | |
| 9 | Instruments à Archet"; Laurent Grillet i… | Read | |
| 10 | ments such as rebecks, guitar-fiddles, v… | Read | |
| 11 | synonymous names for the same instrument… | Read | |
| 15 | CONTENTS. | Read | |
| 16 | CONTENTS. | Read | |
| 20 | LIST OF ACKNOWLEDGMENTS. | Read | |
| 21 | LIST OF ACKNOWLEDGMENTS. | Read | |
| 34 | little entr'acte scenes of instrumental… | Read | |
| 35 | basis to his operas was readily supplied… | Read | |
| 36 | Growth of Instrumental Music.—With the m… | Read | |
| 37 | "Don Giovanni." Beethoven attained to th… | Read | |
| 54 | Compass.—This extends with all chromatic… | Read | |
| 139 | SECTION II. | Read | |
| 140 | little moulding forming a border round t… | Read | |
| 141 | which assumed its present delicate propo… | Read | |
| 142 | and preventing the rubbing or chafing th… | Read | |
| 143 | (a) The stick, made of Pernambuco wood,… | Read | |
| 144 | notes desired, thus shortening the strin… | Read | |
| 145 | of a fourth (most generally used and eas… | Read | |
| 146 | those which contain most open notes, i.e… | Read | |
| 147 | (with reservations) shakes, grace notes,… | Read | |
| 148 | The chief feature of the violin is, acco… | Read | |
| 149 | was identical with the guitar-fiddle unt… | Read | |
| 150 | CHAPTER XXII. | Read | |
| 152 | CHAPTER XXIII. | Read | |
| 153 | The harmonics are more beautiful on the… | Read | |
| 155 | the same extreme agility as on the violi… | Read | |
| 156 | CHAPTER XXIV. | Read | |
| 158 | flat back. The bow is shorter and stoute… | Read | |
| 159 | eventually adding a fourth string, the l… | Read | |
| 160 | short tremolos. Long tremolos would be t… | Read | |
| 161 | CHAPTER XXV. | Read | |
| 162 | latter will be treated in Production of… | Read | |
| 163 | may be observed to have strong iron or s… | Read | |
| 164 | resonant power, and to both sides of whi… | Read | |
| 165 | strata of air. But when the strings rest… | Read | |
| 166 | Proper vibrations being exceedingly unde… | Read | |
| 234 | Compass. The compass of the keyless Geor… | Read | |
| 235 | Dr. Stelzner has abandoned them in favou… | Read | |
| 236 | Construction. The main points of differe… | Read | |
| 238 | (4). The shape of the sound-holes has, i… | Read | |
| 239 | three stringed double bass, was produced… | Read | |
| 262 | BIOGRAPHICAL. | Read | |
| 263 | FREDERIC CHOPIN: HIS LIFE AND LETTERS. B… | Read | |
| 264 | BIOGRAPHICAL. | Read | |
| 265 | SKETCHES OF ENGLISH GLEE COMPOSERS. Hist… | Read | |
| 274 | ORCHESTRAL. | Read | |
| 290 | VIOLIN. | Read | |
| 291 | TECHNICS OF VIOLIN PLAYING. By KARL COUR… | Read | |
| 292 | THE HISTORY OF THE VIOLIN and other Inst… | Read |