Bow & Bridge Violin and bow makers, as the old books printed them

Books › The New Encyclopedia of Music and Musicians, 1924 › scan 458

Scan 458

The New Encyclopedia of Music and Musicians, 1924

22 lines. Read by computer on 17 September 2026, twice; the two readings disagreed in places. Printed page 420. See the scan on archive.org.

1Danish subjects and forms made him a leader in the growth of the national school. Among his works were the operas Ravnen, 1832, Die Corsaren, 1835, and Liden Kirsten, 1846, the concert-drama Die Hochzeit der Dryade, the melodramas Die goldnen Hörner, 1832, Juragebirge, Der Taucher, etc., incidental music for many other plays, the ballets Die Walküre, 1861, Thrymskviden, 1868, and others, many choral works, including Die Weissagung der Wala, Vor der Klosterpforte, etc., symphonies in G min. and E, various overtures, such as Hakon Jarl, 1844, Axel und Valborg and Correggio, a piano-quartet, a violin-suite, 2 violin-sonatas, a flute-sonata, an organ-sonata, several piano-sonatas, many fine piano-pieces, much dignified church-music, several song-cycles, besides many choral works for occasions (especially those connected with the court), etc. Memoirs by Behrend, 1895, and A. Hammerich, 1900 (I. M. G. Sammelbde. ii), and see Thrane's Dänische Komponisten, 1875, and Fra Hofvioloners Tid, 1908. G.
3Hartmann, Ludwig (Neuss, 1836–1910, Dresden). Rhenish critic, pupil of his father, the Leipzig Conservatory and Liszt, author of articles and books in advocacy of Wagner. Wrote an opera, piano-pieces and songs. He lived at Dresden.
5Hartmann, Ludwig Lorenz Eduard (Selb, 1860). Bavarian composer, trained at the Munich Conservatory, since 1895 teacher at the Bayreuth Teachers' Seminary and conductor of the Musikverein. Has written an orchestral fantasia, the choral work Der Postillon, men's choruses with orchestra, 2 organ-fantasias, a treatise on the organ and periodical articles.
7Hartmann, Pater [Paul von An der Lan-Hochbrunn] (n. Bozen, 1863–1914, Munich). Tyrolese Franciscan and church-musician, pupil of Pembaur, in 1893–95 organist in Jerusalem, in 1895–1906 in Rome as organist at S. Maria in Aracoeli and head of a music-school, and then at the Anna-Kloster in Munich. In 1906–07 he spent a year in New York, where he produced some of his works. Wrote the oratorios Petrus, 1900, Franziskus, 1902, Das letzte Abendmahl, 1904, and Der Tod des Herrn, 1905, a Seven Words, 1908, a Te Deum, 1913, masses, organ-pieces, etc., besides a life of Peter Singer (1910). In 1905 Würzburg Univ. made him S. T. D. one of two readings
8Hartmann, Pater [Paul von An der Lan-Hochbrunn] (n. Bozen, 1863–1914, Munich). Tyrolese Franciscan and church-musician, pupil of Pembaur, in 1893–95 organist in Jerusalem, in 1895–1906 in Rome as organist at S. Maria in Aracæli and head of a music-school, and then at the Anna-Kloster in Munich. In 1906–07 he spent a year in New York, where he produced some of his works. Wrote the oratorios Petrus, 1900, Franziskus, 1902, Das letzte Abendmahl, 1904, and Der Tod des Herrn, 1905, a Seven Words, 1908, a Te Deum, 1913, masses, organ-pieces, etc., besides a life of Peter Singer (1910). In 1905 Würzburg Univ. made him S. T. D. one of two readings
10Hartog, Éduard de (Amsterdam, 1829–1909, The Hague). Dutch composer, pupil chiefly of Bertelmann, Litolff, Heinze and Damcke, from 1852 teaching in Paris and finally at The Hague. In 1878–80 he contributed to Pougin's Supplement to Fétis' Biographie. In Holland he was decorated with two orders and was a member of the Musical Society. Wrote 4 operas, including Le Mariage de Don Lope, (1853) 1865, and L'Amour Mouillé, 1868 (revised 1873), the symphonic preludes Macbeth, Pompée and Die Jungfrau von Orléans, Psalm 43, 2 string-quartets, a quartet-suite, etc.
12Hartog, Jacques (Bommel, 1837–1917, Amsterdam). Dutch critic and author, pupil of K. Wilhelm and Ferd. Hiller, in 1881–85 conductor at Bussum, in 1886–1913 teacher of music-history at the Amsterdam Conservatory and from 1903 also lecturer at the University. He was president of the Sweelinck committee of the Dutch Musical Society. Author of lives of Beethoven (1904, 2d ed. 1912), Mozart (1904), Jos. and Mich. Haydn (1905), Mendelssohn (1909), Schumann (1910), Bach (1911) and Wagner (1913), translations of Langhans' Musikgeschichte (4th ed. 1913) and of technical works by Lebert and Stark, Breslaur, Richter, Jadassohn, Plaidy and Reinecke, and many articles in periodicals. Wrote an operetta, an overture, a violin-concertino, a mass, etc.
14Hartvigson, Albert (Copenhagen, 1851). Danish chemist and musical amateur, pupil of Rybner and Lambcke, writing the opera Bryllup i Klosteret, 1891, the operetta Sylvana, the choral work Erik Emuns Död, 1885, some orchestral pieces and songs.
16Hartvigson, Fritz (Grenaa, 1841–1919, Copenhagen). Danish pianist, pupil of Gade, Gebauer, Rée and Von Bülow, in 1864–1911 living in London (except 1873–75 in Petrograd), from 1875 teacher at the Norwood Blind College, from 1878 at the Crystal Palace, from 1888 at the Royal Academy and from 1905 at the Royal College. In 1879–88 he was debarred from concert-work by a nervous affection. In 1911 he retired to Copenhagen.
18Harty, Hamilton (Hillsborough, 1879). Irish composer, pupil of his father, from 1891 serving as organist in various churches in Ireland and from 1900 becoming noted in London, especially as a skillful accompanist. In 1914–18 he was lieutenant in the Naval Reserve. He is now conductor of orchestras in London, Manchester and Leeds. Has written an Irish Symphony, a Comedy Overture, the symphonic poems A Tinker's Wedding and With the Wild Geese (1910), a concerto in D min. (1909) and Variations on an Irish Theme, 1913, both for violin and orchestra, a piano-quintet, 'cello-pieces, the cantata The Mystic Trumpeter, 1913, Keats' Ode to the Nightingale, 1907, for soprano and orchestra, and many songs. G, A.
20Harwood, Basil (Olveston, 1859). English organist, pupil of Roeckel, Riseley and Corfe, with some study at Leipzig, from 1883 at St. Barnabas (Pimlico) in London, from 1887 at Ely Cathedral and in 1892–1909 at Christ Church Cathedral, Oxford, where in 1892–1903 he was precentor at Keble College, in 1892–98 conductor of the Orchestral Association, in 1896–1900 conductor of the new Bach Choir and in 1900–09 choragus of the University. He was made Mus.D. there in 1896. At various times he has served as examiner for degrees. Has written an organ-concerto (1910), 2 organ-sonatas, a Dithyramb, a Paeon, a Capriccio and various organ-preludes, the cantata A Song on May Morning, 1913, Psalms 86 and 137, serv- one of two readings
21Harwood, Basil (Olveston, 1859). English organist, pupil of Roeckel, Riseley and Corfe, with some study at Leipzig, from 1883 at St. Barnabas (Pimlico) in London, from 1887 at Ely Cathedral and in 1892–1909 at Christ Church Cathedral, Oxford, where in 1892–1903 he was precentor at Keble College, in 1892–98 conductor of the Orchestral Association, in 1896–1900 conductor of the new Bach Choir and in 1900–09 choragus of the University. He was made Mus.D. there in 1896. At various times he has served as examiner for degrees. Has written an organ-concerto (1910), 2 organ-sonatas, a Dithyramb, a Pæan, a Capriccio and various organ-preludes, the cantata A Song on May Morning, 1913, Psalms 86 and 137, serv- one of two readings

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