Scan 45
The New Grove Dictionary Of Music And Musicians 5 Ed. 2nd, 1904
52 lines. Read by computer on 18 September 2026. No printed page number was found. See the scan on archive.org.
1WORKS
2Messa e salmi correnti per tutto l'anno, 8vv, con un Dominus, Dixit, Magnificat, concertati nel primo choro, et motetti con le letanie della BVM, op 1 (Milan, 1649)
3Salmi per la Competa con le antifone, & letanie della BV, 3 5vv bc (org) (Milan, 1649)
4Psalm, 4vv, insts D-11
6IEROMI ROCCHI
8Cozzolani, Chiara Margarita (b Milan, d Milan, c1653)
9Italian composer and singer She was known as a singer before 1620, when she entered the Benedictine convent of S Radegonda, Milan In her later years she published a good deal of church music for varying forces, some of it no doubt intended for performance in her convent some of it probably for other ecclesiastical institutions in Milan
11WORKS
12Primavera di liori musicali concertati nell'organo, 1 4vv op 1 (M 1640) lost
13Concerti sacri, 1 4vv con una messa, 4vv op 2 (Venice 1642)
14Schizzi di sacra melodia 1v bc op 3 (Venice 1648)
15Salmi 8vv insts et due Magnificat, 8vv con un Laudate pueri 2 vn e un Laudate Dominum 1v 2 vn motetti et dialoghi 2 op 3[1-4] (Venice 1650)
161 motet in 1649
18Crabbé, Armand (Charles) [Monin, Charles] (b Brussels, 23 April 1883, d Brussels, 24 July 1947) Belgian baritone He studied in Brussels with Gilles and Desire Demest, and in Milan with Cottone and made his debut at La Monnaie in 1904 as the Nightwatchman in Die Meistersinger From 1906 to 1914 he sang each summer at Covent Garden, where his roles included Valentin, Alho, Silvio and Ford, and from 1909, when ever he appeared in such minor roles as Count Ceprano in Rigoletto, or D'Obigny in La traviata, he used the name Charles Monin He returned to Covent Garden in 1937 as Gianni Schicchi At La Scala he appeared in 1915 as Rigoletto, in 1916 as Marcello, and between 1928 and 1931 as Beckmesser, Lescaut and in the title role of Giordano's Il re, which he created In 1907 he joined Hammerstein's Manhattan Opera, New York, he appeared at Chicago, 1910 14, and at the Teatro Colon, Buenos Aires, in the 1920s One of his most successful roles was Marouf in Rabaud's opera, which Rabaud had transposed for him from tenor to baritone Crabbe continued to appear in Belgium during the 1930s and early 1940s mainly in Antwerp, where he sang Beckmesser and Schicchi in Flemish After he retired he taught singing in Brussels, where his opera studio had a private miniature theatre He published two books, Conseils sur l'art du chant (Brussels, 1931) and L'art d'Orphée (Brussels, 1933), and with Auguste Maurage wrote an opera Les noces d'or
20BIBLIOGRAPHY
21W R Moran 'Notes from a Wandering Collector', Record News, iv (1957), 28 [with partial discography]
22HAROLD ROSENTHAL
24Crackle. A term used in connection with lute music, meaning to curtail a note or chord See ORNAMENTS, §IV, 7
26Cracoviensis, N. Z. See N / CRACOVII NSIS
28Cracow. See KRAKÓW
30Cradle song. See WIEGENLIED and LULLABY
32Craen, Nicolaus (fl c1500) Flemish composer According to Vander Straeten, he was born in 's-Hertogenbosch He was a singer at S Donatian, Bruges in 1504 All his surviving works are sacred and seem to have been popular, particularly in Germany, two were intabulated for lute by Hans Neusiedler His Salve regina was apparently also copied into one of the choirbooks, now lost, for the royal chapel in Madrid The pieces are fairly florid for the early years of the century, with much rhythmic flexibility and independence between the voices, and with occasional homophonic sections Glarean, quoting the motet Ecce video in his Dodekachordon (RISM 15471, ed in MSD, vi, 1965), regarded him with some favour The motet which appears both as Si ascendero and as Diva palestina was probably composed to the first text, for it opens with a rising scale
34WORKS
35Ecce video 3vv 15071, lute intabulation, 153611, as Osculetur me in F. c 4 124 (125 8)
36Salve regina 4vv D Mbs 34
37Si ascendero 3vv 15041 lute intabulation 153611, as Diva palestina in 15351
38Lota pulchrae 4vv 15041, lute intabulation in Capriola Lutebook, ed O Gombosi Compositio di Mover Vincenzo Capriola Lute-book (circa 1517) (Neuilly-sur-Seine 1955)
40BIBLIOGRAPHY
411 Vander Straeten La musique aux Pays-Bas avant le XVIIe siècle (Brussels 1867 88 R1969)
43STANLEY BOORMAN
45Crafft. See KRAFFT family
47Crafft, Georg Andreas von. KRAFT, GEORG ANDRIAS
49Craft, Robert (b Kingston, New York, 20 Oct 1923) American conductor and writer on music He graduated from the Juilliard School (BA 1946), and conducted the Chamber Art Society in New York (1947 50) From 1950 to 1968 he was a conductor of the Evenings-on-the-Roof and the Monday Evening Concerts in Los Angeles and also appeared at the Ojai Festival His main repertory interests were older music (e.g Monteverdi, Schutz, Bach and Haydn) and contemporary music (e.g the Second Viennese School, Stockhausen, Varèse and Boulez) His interest in the music of Gesualdo led to recordings which brought that composer to popular attention. He also directed the first recordings of the complete works of Webern and most of Schoenberg's music, for CBS He conducted the first performance of Varese's Nocturnal and, with the Santa Fe Opera, the American premieres of Berg's Lulu and Hindemith's Cardillac
51From 1948 Craft was closely allied with Igor Stravinsky, first as assistant, later in a closer, almost filial relationship Over 23 years he shared more than 150 concerts with Stravinsky, collaborated on seven books, and conducted the world premieres of a number of Stravinsky's later works, notably In Memoriam Dylan Thomas and Requiem Canticles Besides his Stravinsky collaborations Craft has written extensively on music and literature, as both a critic and an essayist, mainly for the New York Review of Books To his writing Craft has brought an individual style and a highly literate, if specialized, intelligence After Stravinsky's death he worked on a three-volume biography of the composer. Craft's works include Chronicle of a Friendship (New York, 1972), which includes sections, some reworked, from the collabora-
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