Scan 62
The New Grove Dictionary Of Music And Musicians 5 Ed. 2nd, 1904
64 lines. Read by computer on 18 September 2026, twice; the two readings disagreed in places. No printed page number was found. See the scan on archive.org.
1Crete
2IB, org, 1938, Psalm xxiii, op 37, S, SATB, pf, 1945, Missa solemnis, op 44, SATB/TTBB, org, 1949, Mass 'Adoro te', op 54, SA/SA1B, pf, 1952, The Celestial Vision, op 60 (Dante, Whitman, Arjuna), TTBB, 1954, Isaiah's Prophecy (Christmas Oratorio), op 80, 1962
3Nocturne, op 83 (Auden), S, wind qnt, str qnt, pf, 1964 From the Psalmist, op 91, A, orch, 1967, Mass 'Cum jubilo', op 97 SATB, 1968, The Northwest, op 98, SA1B, orch, 1969, Leaves of Grass, op 100 (Whitman), SATB, pf, 1970, Calamus, op 104 (Whitman), TTBB, brass, perc, 1972
5CHAMBER AND INSTRUMENTAL
65 Dances, op 1, pf, 1932, 7 Theses, op 3, pl, 1933, 3 Poems from Walt Whitman, op 4, vc, pf, 1934, Suite, op 6, sax, pl, 1935, St Qt, op 8 1936, PI Sonata, op 9, 1936, Suite, op 13, va pl, 1937, 5 2 part Inventions, op 14, pf, 1937, Suite, op 18, vn, pl, 1939, Sonata op 19 sax, pl, 1939, 6 Preludes, op 38, pf 1945, Suite op 56 fl, va, pl 1952, Suite, op 66, vc pf, 1956, 3 Narratives op 79 pl 1962 Metamorphoses, op 84, pf, 1964 Concertino op 99 pf wind qnt 1969, Ceremonial, op 103, perc ens 1972, Rhythmic 6 10 13 studies pl, 1977
7Principal publishers Belwin-Mills G Schirmer
9BIBLIOGRAPHY
10H Cowell Paul Creston', MQ, xxxiv (1948) 533
11'Creston's Symphony no 3' MQ xxxvi (1951), 78
12A Cohn The Collector's Twentieth-century Music in the Western Hemisphere (New York, 1961), 82ff
13D Ewen The World of Twentieth Century Music (Englewood Cliffs, 1968), 183ff
14WALTER G SIMMONS
16Crete. See GREECE, §IV
18Crétien, Gilles-Louis. See CHRÉTIEN, GILLES LOUIS
20Crétien, Jean-Baptiste. See CHRÉTIEN, JEAN-BAPTISTE
22Crétien de Troyes. See CHRÉTIEN DE TROYES
24Crevel, Marcus van (b Zeist, 16 June 1890, d Budel, 1 Sept 1974) Dutch music teacher and musicologist While training as a schoolteacher in Haarlem he took lessons in singing, violin and keyboard instruments, later, as a teacher, he studied the piano with Dirk Schafer and theory with Johann Wagenaar At the same time he continued his language and literature studies at Leiden University. As a headmaster in The Hague he was concerned with the problems of musical education and music for young people, this brought him into contact with Fritz Jode and other like-minded music teachers abroad His activities as a music educationist include the founding of a society for folk music and folkdancing (1930), and through his work on a state commission for school music teaching (1946-8) he contributed to the renewal of music for young people in the Netherlands after the war one of two readings
25Crevel, Marcus van (b Zeist, 16 June 1890, d Budel, 1 Sept 1974) Dutch music teacher and musicologist While training as a schoolteacher in Haarlem he took lessons in singing, violin and keyboard instruments. later, as a teacher, he studied the piano with Dirk Schafer and theory with Johann Wagenaar At the same time he continued his language and literature studies at Leiden University. As a headmaster in The Hague he was concerned with the problems of musical education and music for young people, this brought him into contact with Fritz Jode and other like-minded music teachers abroad His activities as a music educationist include the founding of a society for folk music and folkdancing (1930), and through his work on a state commission for school music teaching (1946-8) he contributed to the renewal of music for young people in the Netherlands after the war one of two readings
26In 1940 he received the doctorate at the University of Utrecht with a dissertation on Cochco which he prepared under Smijers On the latter's death in 1957 he was commissioned by the Vereniging voor Nederlandse Muziekgeschiedenis to complete the second edition of the complete works of Obrecht Van Crevel's musicological interests covered the central problems of Renaissance music His work on Cochco contains a critical examination of the problems of musica reservata and musica ficta, and the latter question is again taken up in his criticism of Lowinsky's 'secret chromatic art'. In the fully documented prefaces to his two Obrecht mass volumes he advanced a method of transcription, based on a new theory of tactus, through which he had discovered a cabalistic numerological symbolism in those works
28WRITINGS
29Adrianus Petit Cochco Leben und Beziehungen eines nach Deutschland emigrierten Josquinschulers (diss., U of Utrecht, 1940, The Hague, 1940)
30Verwante sequensmodulaties bij Obrecht, Josquin en Cochco' TVNM xvi/1 (1941) 107 93
31'Het sterfjaar van Clemens non Papa', TVNM, xvi/3 (1942), 177
32'Secret Chromatic Art in the Netherlands Motet', TVNM, xvi/4 (1946), 253 304
34EDITIONS
35J Obrecht Missa Sub tuum praesidium, Opera omnia, vi (Amsterdam 1959) Missa 'Maria art' ibid, vii (Amsterdam, 1964)
36ALBERT DUNNING
38Creyghton, Robert. See CRIEYHTON, ROBERT
40Cribelli, Arcangelo. See CRIBELLI, ARCANGELO
42Cricquillon, Thomas. See CRIEQUILLON, THOMAS
44Crisanius, Georgius. See KRIZANIK, JURAI
46Crisci, Oratio [Cresci, Orazio] (b Vasto: fl 1581-9) Italian organist and composer He was a pupil of Ippolito Sabino whose Secondo libro de madrigali (RISM 158111) he edited. From the dedication it is clear that he was living in Vasto in 1581 It is not known when he travelled north to Mantua, but he appears to have spent much of his later life there, employed as cathedral organist All of his known works were published in collections devoted largely to the works of Sabino
48WORKS
49Ardi o gela 5vv 158711 Cio che l Lago 6vv 158111 I begli occhi, 6vv, 158111 Ocehi perche 5vv 158910 Pria che la 5vv, 158711, Se quei begli occhi, 6vv, 158111, Tu piangevi il tuo amor 6vv, 158111
51BIBLIOGRAPHY
52P Canal Della musica in Mantova (Venice, 1881)
53A Bertolotti Musica alla corte dei Gonzaga in Mantova dal secolo xv al xviii (Milan 1890/R1969), 61
54PATRICIA ANN MYERS
56Crismann, Franz Xaver. See CHRISMANN, FRANZ XAVIER
58Crispi, Pietro Maria (b Rome, c1737, d Rome, 16 June 1797) Italian composer and organist In 1762 he became a member of the Congregazione dei Musici di S Cecilia From 1772 until his death he was organist at S Luigi dei Francesi He was also music tutor to the Marescotti family and was maestro di cappella (from 1778) and organist (from 1779) at the Oratorio di S Girolamo della Carità. He composed a large amount of instrumental music, almost none of which was published, also several oratorios and comic intermezzos, most of which are lost He held a musical accademia in his home every Friday evening, at which instrumental and vocal music was performed, his wife, the singer Lucia Puschi, took part, and Crispi himself played the harpsichord Burney attended those evenings between 23 September and 16 November 1770; during this time his originally lukewarm opinion of Crispi's playing and composition improved
60WORKS
61Operas at least 5 intermezzos, lost, except Il marchese a forza (A Pioh), Rome, Tordinona, 1777, D-Dlb
62Sacred at least 7 oratorios, lost, except Oratorio della Passione, I-Rag, at least 2 sacred dramas, 4 cantatas
63Inst numerous ovs, sym, trios, hpd sonatas, B Br, D-Bds, Dlb, I-Gt(l), Mc, Nc, Vc, S-Uu, The Periodical Overture in 8 Parts, no 5 (London, n d ), piece or pieces in Feuilles de Terpsichore ou Journal composé d'ouvertures, d'airs arrangés et d'airs avec accompagnement pour le clavecin (Paris, 1784 98), The Periodical Overtures for the
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