Scan 91
The New Grove Dictionary Of Music And Musicians 5 Ed. 2nd, 1904
86 lines. Read by computer on 18 September 2026. No printed page number was found. See the scan on archive.org.
111 Symphonies, chamber orch, 1964
213 Sinfonia concertante, 1965, rev. 1975 as Sym no 1
319 Ceremony, vc, orch, 1966
426 Violin Concerto no 2, 1969
527 Ouvert-clos, chamber orch 1969
628 Some Marches on a Ground, 1970
731 Ariadne, ob, 12 insts, 1971 2
837 Symphony no 2, 1974 5
938 Theil, concertino, fl, 2 hn, 2 str qt, 1974 6
1039 Mag and Nunc, double variations 1975
1141 Wildboy, concertante, cl, cimb, 7 players, 1978
13VOCAL
145 Corpus Christi Carol (16th century), S/T, cl, str qt, 1961
159 For the Untfallen (G Hill), T, hn, str, 1963
16Epitaph (Raleigh), SSA TBB, 1964
1714 Medieval French Songs (S/T, cl, pl, perc), (Mez/Bar, pl), 1965
1815 O Blessed Lord, anthem, SATB, vc, 1965
19Two Christmas Songs, chorus, 1965
2017 Changes (Browne, Blake, Herrick, Hawes, Davenant, anon ), solo vv, chorus, orch, 1965 6
2122 May Song (Herrick), SSATBB, 1967
2224 The Covenant of the Rainbow (from Chester miracle play) anthem, chorus, org, pl 4 hands, 1968
2325 The New World (Hughes), song cycle, Mez/Bar, pl, 1969
2430 Memories of Morning Night (from J Rhys Wide Sargasso Sea), monodrama, Mez, orch 1971
2536 The Cool Web (S Smith Graves) S/T pl, 1973 4
26World Within (F Bronte) narrator Mez, 10 insts 1976
28CHAMBER AND INSTRUMENTAL
292 Villanelles wind qnt, vn, vc, 1959 rev 1974
303 Three Inventions, fl, cl, 1959
314 Canto, wind qnt, trbn 1961
327 Carol fl, pl, 1962
3334 Studies str qt, 1972 3
35FOR CHILDREN
3610 Meet my Folks (Hughes) speaker children's vv 8 insts 1964
3712 Rats Away! (anon ), children's vv 7 tr insts xyl chimes perc h inst, 1964
3816 Ahmed the Woodseller (I Serraillier), unison vv, perc 8 insts ad lib 1964 5
3921 The Demon of Adachigahara (Hughes), narrator, children's vv orch, 1967
4023 The History of the Flood (J H Stubbs), children's vv, harp, 1970
4135 Holly from the Bongs (Nativity opera Garner) 1973
42Principal publisher Oxford University Press
44BIBLIOGRAPHY
45J C G Waterhouse 'The Music of Gordon Crosse', ML cvi (1965), 342
46G Crosse 'A Setting of W B Yeats', Opera, xvii (1966), 534
47'My Second Violin Concerto', The Listener, lxxxiii (1970)
48B Northcott 'The Story of Vasco', Opera, xxv (1974), 188
49G Crosse 'Potter Thompson an Introduction', Opera, xxvi (1975), 22
50I East 'The Problem of Communication Two Solutions Thea Musgrave and Gordon Crosse', British Music Now, ed I Foreman (London, 1975), 19ft
52STEPHEN WALSH
54Cross-fingering. See FINGERING. §III.
56Cross flute. An older name for the Flute (i.e. the transverse flute), used to distinguish it from the end-blown Recorder.
58Crossley, Paul (Christopher Richard) (b Dewsbury, Yorks., 17 May 1944). English pianist An English graduate of Oxford (where he was organ scholar at Mansfield College), he studied the piano with Fanny Waterman in Leeds. In October 1967 he obtained a French government scholarship for study with Messiaen and Yvonne Loriod in Paris; the following year he won the Messiaen Piano Competition at Royan, and first appeared in London, at the French Institute. Tippett wrote for him a Third Piano Sonata, first played at the 1973 Bath Festival (26 May), and in London shortly afterwards in a memorable recital of all three Tippett sonatas (later recorded) and Messiaen pieces (he wrote about the new Tippett work in The Listener, 24 May 1973). A fluent technician with an easy mastery of Messiaen's intricate rhythmic patterns and Tippett's 'mosaic' structures, he compensates with thoughtful musicianship for what his performances may sometimes lack in excitement. Mozart and Beethoven concertos and solos by Schumann, Debussy, Albeniz and Nicholas Maw (first performance of Personae, Elizabeth Hall, August 1973) form part of his wide repertory
60MAX LOPPFR I
62Crossley-Holland, Peter (b London, 28 Jan 1916). English ethnomusicologist and composer After studying physiology at St John's College, Oxford (BA 1936, MA 1941), he took a BMus at the RCM, London, in 1943 He also studied composition with Ireland, Seiber and Julius Harrison and carried out postgraduate work in Indian music at the London School of Oriental and African Studies He was successively a regional director of the Arts Council (1943 5), a member of the music division of the BBC (1948-63) and an assistant director of the Institute of Comparative Music Studies and Documentation, Berlin (1964 6) He joined the faculty of the University of California at Los Angeles in 1969 and was appointed professor of music there in 1972 and chairman of the Council on Ethnomusicology in 1976
64In his ethnomusicological research he has concentrated on Celtic, Tibetan and native American music. The results of his studies and analyses of Tibetan vocal and instrumental music have been published in several articles, he has made a number of field recordings of sacred and secular pieces He has also composed music for chorus, solo voices and various combinations of recorders In 1965 he became editor of the Journal of the International Folk Music Council
66WRITINGS
67'Secular Homophonic Music in Wales in the Middle Ages' ML, xxiii (1942), 135
68The Music of Inghis Gundry', HMYB, iv v (1947 8) 138
69ed Music in Wales (London, 1948) [incl 'The Growth of Music in Wales' 11]
70Music a Report on Musical Life in England (London, 1949)
71'Oriental Music on the Gramophone' ML, xi (1959), 56
72'Non-Western Music', The Pelican History of Music, ed A Robertson and D Stevens, 1 (Harmondsworth, 1960) 13 135
73'Asian Music under the Impact of Western Culture', 'Operatic and Ballet Music Compared with Oriental Music- and Dance-drama', Music East and West Tokyo 1961
74Music of the Occidental Type Written by Orientals', The Preservation of Traditional Forms of the Learned and Popular Music of the Orient and the Occident Teheran 1961
75'The Role of the Commercial Gramophone Record in the Preservation and Dissemination of the Folk and Classical Music of the Orient', 'International Catalogue of Records of the Folk and Classical Music of the Orient Commercially Available on 31 December 1962', Recorded Sound, x xi (1963), 67, 75
76'Preservation and Renewal of Traditional Music', JIFMC, xvi (1964), 15
77'Tradition and Change in Music Listening', Music East and West New Delhi 1964, 103
78ed Artistic Values in Traditional Music (Berlin, 1966) [incl 'The Work of the Institute for Comparative Music Studies during the Year 1964-5', 115]
79'Form and Style in Tibetan Folksong Melody', Jb fur musikalische Volks- und Völkerkunde, vi (1967), 9 69, 109
80The State of Research in Tibetan Folk Music', EM, xi (1967), 170
81'The Religious Music of Tibet and its Cultural Background', Centennial Workshop on Ethnomusicology Vancouver 1967, 79
82'The Tonal Limits of Welsh Folk Song', Journal of the Welsh Folksong Society v,2 (1968), 46
83'On William P Malm's "On the Nature and Function of Symbolism in Western and Oriental Music"', Philosophy East and West, xix (1969), 253
84'Gya-gLing Hymns of the Karma-Kagyu, the Rhythmtonal Architecture of Some Tibetan Instrumental Airs', Selected Reports, 1/3 (1970), 79 112
85with N Marzac 'A Cante-fable from Sillé-le-Guillaume (France)', EM, xv (1971), 1-37
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