Bow & Bridge Violin and bow makers, as the old books printed them

Scan 32

The Repairing & Restoration of Violins, 1903

8 lines. Read by computer on 3 September 2026. Printed page 18. See the scan on archive.org.

1surfaces are brought together. The violin repairer must strictly follow the same rule. The degree Fahrenheit at which glueing operations are best conducted may be roughly estimated as nearly seventy. The reason for this is that the nature of good glue is to coagulate or "set" rapidly in a cool atmosphere and in this state—not perceptible at once to the eye—it will resist a considerable amount of pressure, the surfaces that should exactly cohere, slipping aside and the whole work having to be done over again, perhaps with fresh damage.
3![Diagram 6.](../images/diagram_6.png)
5DIAGRAM 6.
7To return now to our loose fingerboard, an old fashioned and very clumsy, inefficient way of fastening it after glueing, was to tie some string round it, which of course getting much glue upon it during progress had, when dry, to be torn or washed off. The modern, simplest and best way is to have ready a soft wood mould with a square or flat back for the under or circular part of the neck, and a similar but flatter one to fit above on the fingerboard. These can be easily adjusted, and the requisite pressure obtained by several screw cramps along its extent (diagrams 6 and 7). It is not very often that the nut or small block over which the strings pass on to the pegs gets loose, if it does, it is the result of bad fitting and careless glueing. If it should happen to come away, wash

The computer misreads some letters and numbers. Where a name matters to you, read the scan.