Books › The Violin: A concise exposition of the general principles of construction.., 1871 › scan 208
Scan 208
The Violin: A concise exposition of the general principles of construction.., 1871
94 lines. Read by computer on 28 September 2026, twice; the two readings disagreed in places. No printed page number was found. See the scan on archive.org.
1INDEX.
3Varnish-copal, colourless ………………………………………….. 170 one of two readings
4Varnish-copal, colourless …………………………………………….. 170 one of two readings
5Varnish, experiments with ……………………………………… 163 one of two readings
6Varnish, experiments with ………………………………………….. 163 one of two readings
7Varnish-spirit, colourless ………………………………………. 171 one of two readings
8Varnish-spirit, colourless …………………………………………… 171 one of two readings
9Varnish, to polish …………………………………………………. 174 one of two readings
10Varnish, to polish ……………………………………………………. 174 one of two readings
11Varnish-oil ……………………………………………………….. 169
12Varnishes, oil and spirit, characteristic of ………………….. 164 one of two readings
13Varnishes, oil and spirit, characteristic of ……………………….. 164 one of two readings
14Varnishes, spirit …………………………………………………. 171 one of two readings
15Varnishes, spirit …………………………………………………… 171 one of two readings
16Varnishes, substances used in …………………………………. 164 one of two readings
17Varnishes, substances used in ……………………………………… 164 one of two readings
18Varnishes, to colour …………………………………………….. 171 one of two readings
19Varnishes, to colour ………………………………………………. 171 one of two readings
20Varnishes, various ideas regarding …………………………… 161 one of two readings
21Varnishes, various ideas regarding ………………………………. 161 one of two readings
22Varnishes, details of …………………………………………….. 173 one of two readings
23Varnishes, details of ………………………………………………. 173 one of two readings
24Varnishing, tools required for …………………………………. 172 one of two readings
25Varnishing, tools required for ……………………………………. 172 one of two readings
26Vibrating surfaces, experiments upon ……………………….. 121 one of two readings
27Vibrating surfaces, experiments upon ……………………………. 121 one of two readings
28Vibrations of strings, experiments upon ……………………. 121 one of two readings
29Vibrations of strings, experiments upon …………………………. 121 one of two readings
30Vignette, to copy violin from …………………………………. 89 one of two readings
31Vignette, to copy violin from ……………………………………. 89 one of two readings
32Viol family, distinctions of ……………………………………… 17 one of two readings
33Viol family, distinctions of …………………………………………. 17 one of two readings
34Viol of 15th century* …………………………………………… 17 one of two readings
35Viol of 15th century* …………………………………………….. 17 one of two readings
36Viol, origin of …………………………………………………… 16 one of two readings
37Viol, origin of ……………………………………………………. 16 one of two readings
38Viol di Amour described ………………………………………. 19 one of two readings
39Viol di Amour described ………………………………………… 19 one of two readings
40Violers in the Royal household ………………………………. 18 one of two readings
41Violers in the Royal household ………………………………….. 18 one of two readings
42Viols, chest of ………………………………………………….. 17 one of two readings
43Viols, chest of …………………………………………………… 17 one of two readings
44Violin, a military musical instrument ……………………….. 25 one of two readings
45Violin, a military musical instrument ……………………………. 25 one of two readings
46Violin, back and belly, vibrate in unison ………………… 50 one of two readings
47Violin, back and belly, vibrate in unison ………………………. 50 one of two readings
48Violin, body of, experiments relative to ……………………. 49 one of two readings
49Violin, body of, experiments relative to …………………………. 49 one of two readings
50Violin breast, experiments upon …………………………….. 40 one of two readings
51Violin breast, experiments upon ………………………………… 40 one of two readings
52Violin, broken and mended, errors regarding ……………… 42 one of two readings
53Violin, broken and mended, errors regarding ………………….. 42 one of two readings
54Violin, double …………………………………………………. 31 one of two readings
55Violin, double ………………………………………………….. 31 one of two readings
56Violin, early representations of ……………………………… 21 one of two readings
57Violin, early representations of ………………………………… 21 one of two readings
58Violins of tenth century ………………………………………. 20 one of two readings
59Violins of tenth century ………………………………………… 20 one of two readings
60Violin, result of changed sizes of …………………………… 32 one of two readings
61Violin, result of changed sizes of ………………………………. 32 one of two readings
62Violin used at country wakes in 1600 ………………………. 24 one of two readings
63Violin used at country wakes in 1600 …………………………… 24 one of two readings
64Violin used in Edinburgh at Queen Mary's arrival …………. 23 one of two readings
65Violin used in Edinburgh at Queen Mary's arrival ……………… 23 one of two readings
66Violin used in Shetlands in 1600 ……………………………. 23 one of two readings
67Violin used in Shetlands in 1600 ………………………………. 23 one of two readings
68Violin used to accompany Morris dances ………………….. 23 one of two readings
69Violin used to accompany Morris dances ……………………….. 23 one of two readings
70Violin, Queen Elizabeth's ……………………………………. 23 one of two readings
71Violin, Queen Elizabeth's ………………………………………. 23 one of two readings
72Violin-making, a pure art in early times ………………….. 79 one of two readings
73Violin-making, a pure art in early times ……………………….. 79 one of two readings
74Violins, flat modelled, give depth of tone ………………… 129 one of two readings
75Violins, flat modelled, give depth of tone ……………………… 129 one of two readings
76Violins, from glass, steel, &c. ………………………………. 56 one of two readings
77Violins, from glass, steel, &c. …………………………………. 56 one of two readings
78Violins of the Amati family ………………………………….. 134 one of two readings
79Violins of the Amati family …………………………………….. 134 one of two readings
80Violins of the Guarnerius family ……………………………. 136 one of two readings
81Violins of the Guarnerius family ……………………………….. 136 one of two readings
82Violins of the Stradivarius family …………………………… 132 one of two readings
83Violins of the Stradivarius family ……………………………… 132 one of two readings
84Violins of Steiner …………………………………………….. 142 one of two readings
85Violins of Steiner ………………………………………………. 142 one of two readings
86Violoncello, particulars regarding …………………………. 67 one of two readings
87Violoncello, particulars regarding …………………………….. 67 one of two readings
88Vuillaume, bows of …………………………………………… 147 one of two readings
89Vuillaume, bows of …………………………………………….. 147 one of two readings
90Vuillaume, using old wood …………………………………… 83 one of two readings
91Vuillaume, using old wood ……………………………………… 83 one of two readings
92Whole mould described* ………………………………………. 101 one of two readings
93Whole mould described* ………………………………………… 101 one of two readings
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