Books › The violin and its music (1881)
The violin and its music
1881.
On archive.org as violinitsmusic00hartuoft.
60 pages read (scans 5 to 74)0 makers on this site cite it
Pages
Scan is the archive.org leaf number. Page is the number printed on the page, where the reading found one.
| Scan | Page | Starts | |
|---|---|---|---|
| 5 | QUARTO EDITION, 31/6 | Read | |
| 13 | PREFACE. | Read | |
| 14 | PREFACE. | Read | |
| 15 | CONTENTS. | Read | |
| 16 | CHAPTER II.—Comparative Progress of Voca… | Read | |
| 17 | the Minstrels' Duties; the Waits—The "Ma… | Read | |
| 18 | SECTION V.—THE VIOL IN ITALY. | Read | |
| 19 | CONTENTS. | Read | |
| 20 | CHAPTER III.—Formation of the "Conservat… | Read | |
| 21 | CHAPTER III.—The Palace of Prince Esterh… | Read | |
| 22 | Illustrations. | Read | |
| 23 | THE VIOLIN AND ITS MUSIC. | Read | |
| 24 | and no expense of breath. But as to the… | Read | |
| 25 | 3 | idolatrous sacrifices. These people made… | Read |
| 26 | 4 | of early bowed instrument history, and f… | Read |
| 27 | 5 | ments of various kinds; among these was… | Read |
| 28 | 6 | small consequence, since they were but d… | Read |
| 29 | 7 | rise above the rest, another to fall bac… | Read |
| 30 | 8 | meetings could hardly fail to suggest th… | Read |
| 31 | 9 | Section I.—The Viol Gothic. | Read |
| 32 | 10 | upon, by using moveable type: which syst… | Read |
| 33 | 11 | not to be passed over in connection with… | Read |
| 34 | 12 | amazingly copious, and withal correct; a… | Read |
| 35 | 13 | engaged, many of them being men of much… | Read |
| 36 | 14 | it must not be forgotten that the Counci… | Read |
| 37 | 15 | superiority turns wholly on shape and fo… | Read |
| 38 | 16 | or Geige which time has preserved to us.… | Read |
| 39 | 17 | The fretted Geige serving well for the r… | Read |
| 40 | 18 | through successive generations of wander… | Read |
| 41 | 19 | Section I.—The Viol Gothic. | Read |
| 42 | 20 | can be shown that fiddling preceded jigg… | Read |
| 43 | 21 | instrument in a perfect state, having th… | Read |
| 44 | 22 | we have Pietro Dardelli making Viols at… | Read |
| 45 | 23 | Countries, we cannot fail to discover th… | Read |
| 46 | 24 | ment, and the maker's home traced to Ger… | Read |
| 47 | 25 | been but a modification of the Geige if… | Read |
| 48 | 26 | ture, at the close of the fifteenth cent… | Read |
| 49 | 27 | Section III.—The Viol in the Netherlands… | Read |
| 50 | 28 | more particularly, the patient enquiries… | Read |
| 51 | 29 | If we examine into the condition of Musi… | Read |
| 52 | 30 | their midst, born Netherlanders dedicati… | Read |
| 53 | 31 | from his patronymic, the state of music… | Read |
| 54 | 32 | the favourite amusement of their holyday… | Read |
| 55 | 33 | THE VIOL IN THE NETHERLANDS. | Read |
| 56 | 34 | course of musical progress further than… | Read |
| 57 | 35 | Section III.—The Viol in the Netherlands… | Read |
| 58 | 36 | until such improvements had been effecte… | Read |
| 59 | 37 | mers were not alone in their denunciatio… | Read |
| 60 | 38 | artistic work necessarily attending such… | Read |
| 61 | 39 | sufficient, the voices were supplemented… | Read |
| 62 | 40 | renders it historically peculiarly inter… | Read |
| 63 | 41 | Madrigal, when for the sake of variety t… | Read |
| 64 | 42 | full extent of growth in the soil upon w… | Read |
| 65 | 43 | book on music ever printed, which assume… | Read |
| 66 | 44 | opens up a period rife with interest rel… | Read |
| 67 | 45 | fested as to have earned for him the tit… | Read |
| 68 | 46 | then living at Venice are performed; in… | Read |
| 69 | 47 | flourished in Rome and Venice accounts f… | Read |
| 70 | 48 | not contribute, besides imparting that k… | Read |
| 74 | 52 | in Languedoc and the adjacent provinces… | Read |