Books › The Violin Gallery: Comprising: Section I. South Kensington Special … (1890)
The Violin Gallery: Comprising: Section I. South Kensington Special …
George A. Dissmore , Charles Reade, South Kensington Museum, 1872 Catalogue of the special exhibition of ancient musical instruments , South Kensington Museum Catalogue of the special exhibition of ancient musical instruments, 1872 , South Kensington Museum. s.n, 1890.
Book. On archive.org as violingalleryco00musegoog.
42 pages read (scans 8 to 86)2 names found0 makers on this site cite it
Pages
Scan is the archive.org leaf number. Page is the number printed on the page, where the reading found one.
| Scan | Page | Starts | |
|---|---|---|---|
| 8 | PREFACE. | Read | |
| 9 | at hand would permit; thus the Brescian… | Read | |
| 14 | STRINGED INSTRUMENTS PLAYED WITH A BOW. | Read | |
| 15 | 69 VIOLIN. By Gaspard Duifffoprugcar. BO… | Read | |
| 16 | 90 VIOLIN. By A. Stradiuarius, 1709; nam… | Read | |
| 17 | 95 VIOLIN. By Joseph Guarnerius, 1734. A… | Read | |
| 18 | 117 VIOLIN. By B. Banks, jun., Salisbury… | Read | |
| 19 | 132a VIOLIN BOW. By Tourte. | Read | |
| 46 | INTRODUCTION. | Read | |
| 48 | Cremona Fiddles. | Read | |
| 49 | Even so the shell would succumb in time,… | Read | |
| 50 | tenor, but a generic name that was in It… | Read | |
| 51 | whereas those of Gasparo da Salo are in… | Read | |
| 52 | SECOND LETTER. | Read | |
| 53 | yet this seems to add elegance without m… | Read | |
| 54 | one in before it closes. There is also w… | Read | |
| 55 | himself; all this old man's work is done… | Read | |
| 59 | goes to the drawing-room. The piano is o… | Read | |
| 60 | but migrated early to Venice. He worked… | Read | |
| 61 | abuses the patience of his admirers; mak… | Read | |
| 62 | STAINER, a mixed maker. He went to Cremo… | Read | |
| 63 | walk rapidly to any other instrument in… | Read | |
| 64 | FOURTH LETTER. | Read | |
| 65 | of the "violon du diable," and be worth… | Read | |
| 66 | put the fiddle to their noses, and smell… | Read | |
| 67 | viz., his dark red varnish, the key to a… | Read | |
| 68 | Mr. Pawle's bass.—He began with three or… | Read | |
| 69 | surface, but a gentle inward fire. Now t… | Read | |
| 70 | vulgar varnish of the day will chip or w… | Read | |
| 74 | Additional Photographs & Original Notes. | Read | |
| 75 | 206 PAOLO MAGGINI. BRESCIA. | Read | |
| 76 | terminating nearer the edge of the instr… | Read | |
| 77 | The only features which characterize it… | Read | |
| 78 | In the 180 years of its existance it has… | Read | |
| 79 | for volume of tone, and those of Amati f… | Read | |
| 80 | This view is obtained through the obligi… | Read | |
| 81 | 223 JACOBUS STAINER. R. D. Hawley, Esq.,… | Read | |
| 82 | 230 GEO. GEMUNDER. Geo. Gemunder, Esq. | Read | |
| 83 | cut rather flat, but very bold, though n… | Read | |
| 84 | 242 CELLO BY JOSEPH GUARNERIUS. 1742. | Read | |
| 85 | Notice the progress as indicated by the… | Read | |
| 86 | A close observer will notice that the lo… | Read |