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The Violin: Its Famous Makers and their Imitators

1875.

On archive.org as bwb_W9-CSA-425.

98 pages read (scans 11 to 421)186 names found126 makers on this site cite it

Towns it names most

London30
Paris9
Cremona8
Bologna3
Naples3
Mirecourt2
Brescia2
Mantua2
Ferrara2
Venice2
Leeds2
Edinburgh2

Pages

Scan is the archive.org leaf number. Page is the number printed on the page, where the reading found one.

Scan Page Starts
11 Dedication. Read
12 at length happily successful. M. Vieuxte… Read
13 Dedication. Read
15 CONTENTS. Read
16 Contents. Read
17 Contents. Read
18 Contents. Read
19 Contents. Read
20 Contents. Read
60 28 SECTION IV. Read
61 29 writer might be of handling such a subje… Read
62 30 musical world, Corelli was writing his g… Read
63 31 a great demand for bow instruments of a… Read
70 36 early years in that city, and imbibed al… Read
76 40 SECTION V. Read
77 41 At last despair has succeeded to all tha… Read
78 42 and as it was chiefly in vogue after tha… Read
79 43 must not be supposed that its colouring… Read
80 44 impossible to give such a description of… Read
81 45 their use. They dry very slowly, and may… Read
82 46 makers having been noticed, it only rema… Read
83 47 SECTION VI. Read
84 48 ALVANI, Cremona, Imitator of Joseph Guar… Read
87 49 Violins possess a charming sweetness. Th… Read
88 50 unknown. These skilful makers worked tog… Read
89 51 ments that we discover the form of sound… Read
90 52 Andrew's instruments, and this increase… Read
91 53 The experienced eye may trace the succes… Read
92 54 general outline of the great Amati's ins… Read
95 55 able. Some of his backs have a wave-like… Read
96 56 victory to be seen in the scrolls of his… Read
97 57 whose names will be found under the "Ger… Read
98 58 constructing Violins by means of a gradu… Read
99 59 much use there is a richness not by any… Read
100 60 guess or error. As before remarked, Carl… Read
101 61 instruments of the first order. The mode… Read
102 62 Carlo Bergonzi furnishes us with another… Read
103 63 tion of that maker—it lacks the fine fin… Read
104 64 that of his fellow-workers, if we judge… Read
107 65 ments are little known; they resemble th… Read
108 66 this is the case in the form of the soun… Read
109 67 ITALIAN MAKERS. Read
110 68 Violins. In one of the excellent article… Read
111 69 EBERTI, Tomasso, 1750. Read
112 70 GAETANO, Antoniazzi, Cremona, 1860. The… Read
115 of large pattern and flat model. If we c… Read
116 72 fore, superior to that of his father's.… Read
117 73 GIORDANE. Read
118 74 works of the great master. The instrumen… Read
119 75 GRANCINO, Paolo, Milan, 1665—1692. Pupil… Read
129 83 fine specimen of his Violins, which form… Read
130 84 the form of the instruments of his uncle… Read
140 92 These splendid chef d'oeuvres are strang… Read
141 93 wood. I have met with three Violins by C… Read
142 94 singular character by the mere turn of h… Read
143 95 others. They may be divided into three o… Read
144 96 with contempt. The half-informed turn it… Read
161 109 RUGGIERIUS, Franciscus, Cremona, 1668—17… Read
206 148 BERROIT, Brussels, 1750. Read
207 149 ments, and the wood is of an excellent d… Read
217 159 FRENCH MAKERS. Read
218 160 was fortunate in procuring wood of beaut… Read
219 161 mencing life from the first stage of the… Read
220 162 SECTION IX. Read
221 163 instrument at once useful and artistic.… Read
222 164 high. The English Violin makers were thu… Read
223 165 a foolish desire on the part of the make… Read
232 174 Fortunately, too, for his instruments, s… Read
235 177 ENGLISH MAKERS. Read
236 178 DAVIS, William, London. Succeeded Richar… Read
237 179 ENGLISH MAKERS. Read
244 186 other copyist. Had he been allowed to co… Read
245 187 been of a very unpretending nature, but… Read
246 188 secured him the patronage of the diletta… Read
247 189 tone of Forster's Violoncellos as to ren… Read
248 190 GIBBS, James. Worked for Samuel Gilkes a… Read
249 191 model is that of Amati; the work through… Read
250 192 period. The exquisite finish of these in… Read
251 193 and Manson in 1856; the small but exquis… Read
252 194 HILL, Joseph London, 1800—1840. Son of t… Read
253 195 ENGLISH MAKERS. Read
254 196 LOTT, John Frederick, 1775—1853. Was a G… Read
255 197 McGeorge, Edinburgh, about 1800. Read
256 198 will be found his name, surrounded with… Read
257 199 PAMPHILON, Edward, London, 17th century.… Read
258 200 these Violins have been passing under ot… Read
259 201 Germany and Italy at this period, and in… Read
260 202 TAYLOR, London, about 1800. A maker of m… Read
261 203 Withers, Edward, Coventry Street. Succee… Read
262 204 SECTION XI. Read
263 205 The earliest maker of the true Violin in… Read
271 213 GERMAN MAKERS. Read
272 214 KLOZ, Egitia, Tyrol, brother of the form… Read
273 215 GERMAN MAKERS. Read
274 216 SCHOTT, Martin, Prague. Instruments of l… Read
291 231 who used the instruments of Stradiuarius… Read
370 302 dealer may not awaken to a sense of the… Read
421 351 INDEX. Read

Makers from this book

126, A to Z.