Books › The Violin: Its Famous Makers and their Imitators (1875)
The Violin: Its Famous Makers and their Imitators
1875.
On archive.org as bwb_W9-CSA-425.
98 pages read (scans 11 to 421)186 names found126 makers on this site cite it
Towns it names most
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Pages
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| Scan | Page | Starts | |
|---|---|---|---|
| 11 | Dedication. | Read | |
| 12 | at length happily successful. M. Vieuxte… | Read | |
| 13 | Dedication. | Read | |
| 15 | CONTENTS. | Read | |
| 16 | Contents. | Read | |
| 17 | Contents. | Read | |
| 18 | Contents. | Read | |
| 19 | Contents. | Read | |
| 20 | Contents. | Read | |
| 60 | 28 | SECTION IV. | Read |
| 61 | 29 | writer might be of handling such a subje… | Read |
| 62 | 30 | musical world, Corelli was writing his g… | Read |
| 63 | 31 | a great demand for bow instruments of a… | Read |
| 70 | 36 | early years in that city, and imbibed al… | Read |
| 76 | 40 | SECTION V. | Read |
| 77 | 41 | At last despair has succeeded to all tha… | Read |
| 78 | 42 | and as it was chiefly in vogue after tha… | Read |
| 79 | 43 | must not be supposed that its colouring… | Read |
| 80 | 44 | impossible to give such a description of… | Read |
| 81 | 45 | their use. They dry very slowly, and may… | Read |
| 82 | 46 | makers having been noticed, it only rema… | Read |
| 83 | 47 | SECTION VI. | Read |
| 84 | 48 | ALVANI, Cremona, Imitator of Joseph Guar… | Read |
| 87 | 49 | Violins possess a charming sweetness. Th… | Read |
| 88 | 50 | unknown. These skilful makers worked tog… | Read |
| 89 | 51 | ments that we discover the form of sound… | Read |
| 90 | 52 | Andrew's instruments, and this increase… | Read |
| 91 | 53 | The experienced eye may trace the succes… | Read |
| 92 | 54 | general outline of the great Amati's ins… | Read |
| 95 | 55 | able. Some of his backs have a wave-like… | Read |
| 96 | 56 | victory to be seen in the scrolls of his… | Read |
| 97 | 57 | whose names will be found under the "Ger… | Read |
| 98 | 58 | constructing Violins by means of a gradu… | Read |
| 99 | 59 | much use there is a richness not by any… | Read |
| 100 | 60 | guess or error. As before remarked, Carl… | Read |
| 101 | 61 | instruments of the first order. The mode… | Read |
| 102 | 62 | Carlo Bergonzi furnishes us with another… | Read |
| 103 | 63 | tion of that maker—it lacks the fine fin… | Read |
| 104 | 64 | that of his fellow-workers, if we judge… | Read |
| 107 | 65 | ments are little known; they resemble th… | Read |
| 108 | 66 | this is the case in the form of the soun… | Read |
| 109 | 67 | ITALIAN MAKERS. | Read |
| 110 | 68 | Violins. In one of the excellent article… | Read |
| 111 | 69 | EBERTI, Tomasso, 1750. | Read |
| 112 | 70 | GAETANO, Antoniazzi, Cremona, 1860. The… | Read |
| 115 | of large pattern and flat model. If we c… | Read | |
| 116 | 72 | fore, superior to that of his father's.… | Read |
| 117 | 73 | GIORDANE. | Read |
| 118 | 74 | works of the great master. The instrumen… | Read |
| 119 | 75 | GRANCINO, Paolo, Milan, 1665—1692. Pupil… | Read |
| 129 | 83 | fine specimen of his Violins, which form… | Read |
| 130 | 84 | the form of the instruments of his uncle… | Read |
| 140 | 92 | These splendid chef d'oeuvres are strang… | Read |
| 141 | 93 | wood. I have met with three Violins by C… | Read |
| 142 | 94 | singular character by the mere turn of h… | Read |
| 143 | 95 | others. They may be divided into three o… | Read |
| 144 | 96 | with contempt. The half-informed turn it… | Read |
| 161 | 109 | RUGGIERIUS, Franciscus, Cremona, 1668—17… | Read |
| 206 | 148 | BERROIT, Brussels, 1750. | Read |
| 207 | 149 | ments, and the wood is of an excellent d… | Read |
| 217 | 159 | FRENCH MAKERS. | Read |
| 218 | 160 | was fortunate in procuring wood of beaut… | Read |
| 219 | 161 | mencing life from the first stage of the… | Read |
| 220 | 162 | SECTION IX. | Read |
| 221 | 163 | instrument at once useful and artistic.… | Read |
| 222 | 164 | high. The English Violin makers were thu… | Read |
| 223 | 165 | a foolish desire on the part of the make… | Read |
| 232 | 174 | Fortunately, too, for his instruments, s… | Read |
| 235 | 177 | ENGLISH MAKERS. | Read |
| 236 | 178 | DAVIS, William, London. Succeeded Richar… | Read |
| 237 | 179 | ENGLISH MAKERS. | Read |
| 244 | 186 | other copyist. Had he been allowed to co… | Read |
| 245 | 187 | been of a very unpretending nature, but… | Read |
| 246 | 188 | secured him the patronage of the diletta… | Read |
| 247 | 189 | tone of Forster's Violoncellos as to ren… | Read |
| 248 | 190 | GIBBS, James. Worked for Samuel Gilkes a… | Read |
| 249 | 191 | model is that of Amati; the work through… | Read |
| 250 | 192 | period. The exquisite finish of these in… | Read |
| 251 | 193 | and Manson in 1856; the small but exquis… | Read |
| 252 | 194 | HILL, Joseph London, 1800—1840. Son of t… | Read |
| 253 | 195 | ENGLISH MAKERS. | Read |
| 254 | 196 | LOTT, John Frederick, 1775—1853. Was a G… | Read |
| 255 | 197 | McGeorge, Edinburgh, about 1800. | Read |
| 256 | 198 | will be found his name, surrounded with… | Read |
| 257 | 199 | PAMPHILON, Edward, London, 17th century.… | Read |
| 258 | 200 | these Violins have been passing under ot… | Read |
| 259 | 201 | Germany and Italy at this period, and in… | Read |
| 260 | 202 | TAYLOR, London, about 1800. A maker of m… | Read |
| 261 | 203 | Withers, Edward, Coventry Street. Succee… | Read |
| 262 | 204 | SECTION XI. | Read |
| 263 | 205 | The earliest maker of the true Violin in… | Read |
| 271 | 213 | GERMAN MAKERS. | Read |
| 272 | 214 | KLOZ, Egitia, Tyrol, brother of the form… | Read |
| 273 | 215 | GERMAN MAKERS. | Read |
| 274 | 216 | SCHOTT, Martin, Prague. Instruments of l… | Read |
| 291 | 231 | who used the instruments of Stradiuarius… | Read |
| 370 | 302 | dealer may not awaken to a sense of the… | Read |
| 421 | 351 | INDEX. | Read |
Makers from this book
126, A to Z. The first few: