Scan 227
The violin: its famous makers and their imitators, 1875
6 lines. Read by computer on 28 September 2026. No printed page number was found. See the scan on archive.org.
1together with other industries, was comparatively extinguished. Within the past few years the art of making glass has shown signs, even in Venice itself, of reviving with all its former vigour in the workshops of Salviati and Company, the success of which is due in great measure to English capital.
3With regard to English Violin manufacture, there would be no reason why Violins should not, at the present moment, be produced in England which should fully reach the standard of merit maintained in our forefathers' days, if only the patronage of the art occupied a larger area. The present dearth of English makers does not arise from any national want of talent for this particular handicraft; in fact, we have plenty of men equally enthusiastic with our foreign friends for a vocation which in England also must be pronounced to be alike venerable in its antiquity and famed for the dexterity of its genius.
5The earliest makers of Viols in England seem to have been Jay, Smith, Bolles, Ross, Addison, and Shaw, names thoroughly British. We may take this as good evidence that the making of Viols in England originated with the English, and was not commenced by settlers from the Continent. Doubtless the form of the English Viol and its brethren was taken from the Brescian makers, there being much affinity between these classes of instruments. In the few Violins extant by Christopher Wise the Italian character about them is very striking. In them we see a flat model, excellent outline, and
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