Scan 458
The violin: its famous makers and their imitators, 1875
4 lines. Read by computer on 1 October 2026. Printed page 306. See the scan on archive.org.
1The monks stood regarding the performer in amazement, possibly mistaking him for a second appearance of the original of Tartini's "Sonata del Diavolo," his Satanic Majesty having substituted the Contra-Bass for the Violin. Upon this instrument, Dragonetti played at his chief concert engagements, and though frequently importuned to sell it by his numerous admirers, declined to do so; in fact, though for the last few years of his life he gave up public performance, he resolutely refused most tempting offers for his treasure—£800—to use an auctioneer's phrase, "having been offered in two places," and respectfully declined. In his youthful days he decided that his cherished Gaspard should return to the place from whence he obtained it, the monastery of San Marco, and this wish was accordingly fulfilled by his executors in the year 1846. The occasion was one of much interest; it was felt by Dragonetti's friends and admirers that to consign the instrument upon which he had so often astonished and delighted them with the magic tones he drew from it, to the care of those who possibly knew nothing of its merits, was matter for regret.
3Being desirous of furnishing the reader with all the information possible relative to Signor Dragonetti's instrument, I communicated with Mr. Samuel Appleby, who was his legal adviser, and probably better acquainted with him than any
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