Scan 49
The violin: its famous makers and their imitators, 1875
8 lines. Read by computer on 1 October 2026. No printed page number was found. See the scan on archive.org.
1type be high built, the post requires to be nearer the bridge, that its action may be stronger; while flat instruments, which have a tendency to bring the vibrations closer from back to belly, necessarily require that the post be set further away from the bridge. It is not possible to have an uniform arrangement of the sound-post in all instruments; as we have remarked before in reference to the bass-bar, the variations in the thickness, outline, model, &c., of the Violin are so frequent as to defy identity of treatment; uniformity has been sought for, but without success.
3The post can only be adjusted by a skilful workman who either plays himself or has the advantage of having the various adjustments tested by a performer. The necessity of leaving this exceedingly delicate matter in practised hands cannot be too strongly impressed upon the amateur, for the damage done in consequence of want of skill is often irreparable.
5There are two methods of setting the sound-post in the instrument: the first fixes it in such a position as to place the grain of the post parallel with the grain of the belly; the second sets it crosswise.
7The next important feature to be mentioned is the bridge, which forms no small part of the vibrating mechanism of the instrument, and needs the utmost skill in its arrangement. Its usual position is exactly between the two small niches marked in each sound-hole, but this arrangement is sometimes
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