Scan 505
The violin: its famous makers and their imitators, 1875
93 lines. Read by computer on 1 October 2026. Printed page 351. See the scan on archive.org.
1INDEX.
3PAGE
4Raymond, Jacob, founder of Violin making in England, 168, 200
5Reade, Charles, and Louis Tarisio 240
6Reade, Charles, on the Violin, 40, 68, 101, 134
7Rebec, the … … … 4
8Reggieri … … … 108
9Reichel, Johann Conrad … 215
10Reichel, Johann Gottfried … 215
11Reinault … … … 159
12Remmy … … … 159
13Renisto … … … 108
14Repairers, pretended … … 20
15Rode, his compositions … 270
16Rogers's four-part Airs for Violins 262
17"Romance of Fiddle-dealing" 241
18Rook, Joseph … … 201
19Ross (i.) … … … 200
20Ross (ii.) … … … 200
21Roth, Christian … … 215
22Rovelli … … … 108
23Royal Amateur, a … … 312
24Royal Academy of Music … 277
25Royal Society of Musicians, origin 275
26Rudger … … … 108
27Rugerius … … … 13
28Rugerius, Guido … … 110
29Rugerius, Johannes Baptiste … 110
30Rugerius, Pietro Giacomo … 110
31Rugerius, Pietro Vincenzo … 110
32Ruggierius, Franciscus ("Il Per") compared with Amati and Stradiuarius, his material and varnish … … … 109
33Ruppert, Francis … … 215
35S
36Sackbut and Trombone … 257
37Sainton, M. … … … 271
38Sale of Gillott Collection of Instruments … … … 322
39Sale of Musical Instruments … 320
40Salle … … … 159
41Salo, Gaspard di, laid the foundation of the Italian style; his model, and its variations; specimens extant … 110—114
42Saloman, his spirit and enterprise in bringing Haydn to England; his symphonies … 276
43Salzar … … … 159
44Sancte, Giovanni … … 115
45Sanctus Seraphino, his exquisite finish, his varnish, method of cutting, copied Amati and Stainer … … … 115
46Sanoni, Giovanni Baptista … 115
47Sanzo … … … 115
48Sapino … … … 115
49Saunier … … … 159
50Scheinlein, Jean Michael … 215
51Scheinlein, Matthias Frederick 215
52Schlick … … … 215
53Schmidt … … … 215
54Schönger, Francis … … 215
55Schönger, George … … 215
56Schorn, Jacob … … … 215
57Schorn, Johann … … … 215
58Schott, Martin … … … 216
59Scroll, the Missing … 287—289
60Selection of material by the Old Masters … … … 14
61Shaw … … … 201
62Simpson, John … … 201
63Sivori, Camillo, his style … 269
64"Slab back," the … 11—12
65"Small-coal man," Thomas Britton … … … 262
66Smith, Henry … … … 201
67Smith, Thomas … … … 201
68Smith, William … … … 201
69"Sonata del Diavolo," Tartini's, origin of … … … 319
70Soquer … … … 159
71Sound-bar, the, 15; oblique position, 15; second … 156
72Sound-hole, the, 17; of Guarnerius del Jesù, 88; of Gaspard di Salo … … 112
73Sound-post … … … 16—17
74South Kensington Museum … 3
75Spagnoletti, Violinist … … 277
76Speiler … … … 216
77Spohr, and his "Guarnerius" … 324
78Sphor, Louis, his compositions 284
79Stainer, Jacob, second only to Cremonese artists; his model inferior to the Italian; his history obscure, "Elector Stainers," his followers … 221
80Statelman, Daniel … … 221
81Statelman, Johann Joseph … 221
82Stew-pans, Lully and the … 261
83Stolen "Strad," a … … 293
84Stolen Tenor, quick recovery of 295
85Storioni, copied del Jesù … 115
86"Strad," a stolen … … 293
87"Strad, the long" … … 128
88Stradiuarius … 12, 13, 117—137
89Stradiuarius, Antonius; his renown; traces of his personal history, his tomb and burial, his family, his house with sketch, was he a pupil of Amati? specimens of his work with engravings, his varnish; the "long Strad," three periods of his life, surpassing gracefulness of his work and its individuality, his extraordinary care in the selection of material; his perfect model, varnish, 117—137
90Stradiuarius, Franciscus … 137
91Stradiuarius, Omobono … 138
92Stradiuariuses, living … … 296
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