Scan 220
The violin: its famous makers and their imitators, 1884
2 lines. Read by computer on 28 September 2026. Printed page 54. See the scan on archive.org.
1gives evidence of exceptional artistic feeling, and the sequel of his career, as evidenced by his productions, is a genuine development of the first impulse of his genius. His work belongs to the school of Amati, but though the list of instruments which he has bequeathed to us be a long one, there is no sign of his ever having been a mere copyist. He evidently thought for himself. His sound-hole is a beautiful piece of workmanship, and may be said to come between that of Niccolò Amati and Stradivari, being of the most delicate execution. The outline of his work is very graceful, and the arching admirable. The scroll has quite an equal merit with the body. He was very successful in selecting his material, much of which is handsome. His varnish, thoroughly Cremonese in character, and of a most beautiful hue, may be equalled, but never surpassed. This maker also knew how to use his varnish. There is no instance in which it has been laid on in clumsy patches; the surface is always true and even, and, in consequence, the brilliancy of its appearance is perfect. Lancetti remarks, "Francesco Ruggeri was a pupil of Niccolò Amati, and perhaps a more exact imitator of his instruments than G. B. Ruggeri, and made several instruments beautifully finished, and which are not easily distinguished from those of his master." Count Cozio possessed a fine Violin by Francesco, dated 1684, and the Marquis Castiglioni
The computer misreads some letters and numbers. Where a name matters to you, read the scan.