Scan 36
The violin: its famous makers and their imitators, 1884
10 lines. Read by computer on 3 September 2026. No printed page number was found. See the scan on archive.org.
1CONTENTS.
3SECTION XII.—ENGLISH MAKERS.
5Absam, Thomas—Adams—Addison, William—Aireton, Edmund, an excellent copyist of Amati—Aldred—Askey, Samuel … … … … … 283
6Baines—Baker—Ballantine—Banks, Benjamin; the foremost English maker, and termed "The English Amati;" high character of his work and varnish—Banks, Benjamin (2)—Banks, James and Henry—Barnes, Robert—Barrett, John, follower of Stainer; good quality of work—Barton, George—Betts, John, pupil of Richard Duke—Betts, Edward, pupil of Duke, and an excellent copyist; high finish; Amati model—Bolles—Booth, William—Booth—Boucher—Brown, James—Brown, James (2)—Browne, John … … … … … 283—289
7Cahusac—Carter, John—Challoner, Thomas—Cole, Thomas—Cole, James—Collier, Samuel—Collier, Thomas Collingwood, Joseph—Conway, William—Corsby, George—Cramond, Charles—Crask, George—Cross, Nathaniel—Crowther, John—Cuthbert; good quality of work … … … … … 289
8Davidson, Hay—Davis, Richard—Davis, William—Dearlove, Mark—Delany, John; his peculiar label—Dennis, Jesse—Devereux, John—Dickinson, Edward—Dickeson, John; excellent copyist of Amati—Ditton—Dodd, Thomas; not a maker, but an employer of makers of highest class, and especially famous for the high character of his varnish—Dodd, Thomas (2)—Dorant, William—Duke, Richard; his name a "household word" with English Violinists; high character of his real work, but frequently and badly counterfeited; his models both Amatese and Stainer—Duke, Richard (2)—Duncan … … … … … … 290—294
9Eglington—Evans, Richard … … … … … 294
The computer misreads some letters and numbers. Where a name matters to you, read the scan.