Scan 388
The violin: its famous makers and their imitators, 1884
4 lines. Read by computer on 28 September 2026. No printed page number was found. See the scan on archive.org.
1HARRIS, Charles, London, 1800. This maker is known only to a few dealers, as he made chiefly for the wholesale merchants of his day. His name was rarely affixed to his instruments, but those thoroughly acquainted with his work agree in giving him a foremost place among the makers of this country. He was, like many other makers of that period, engaged in two occupations differing very much from each other, being at the same time a Custom-house officer and maker of Violins. The former circumstance brought him into contact with mercantile men, and enabled him to obtain commissions to make Violins for the export trade. His business in this direction so increased that he obtained the services of his relative, Samuel Gilkes, as his assistant. He copied chiefly Amati and Stradivari, the latter admirably. Many of these copies are not inferior to those of Lupot. He never aimed at producing a counterpart of the instrument that he copied by resorting to the use of deleterious means to indicate upon the surface of an instrument the ravages of time. He faithfully copied the form, and thus did what Lupot was doing at the same period. The exquisite finish of these instruments is remarkable, and as they are covered with a fine quality of varnish, they have every recommendation of appearance.
3HARRIS, Charles. Son of the above. Neat workmanship. Well-cut scroll. Sound-holes not well formed. Yellow varnish. Worked for a short time for John Hart.
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