Scan 400
The violin: its famous makers and their imitators, 1884
4 lines. Read by computer on 28 September 2026. Printed page 312. See the scan on archive.org.
1opinion is strengthened upon examining his earliest instruments. We there find the same peculiarities which mark the individuality of Urquhart. Later in life he leaned much to the model of Maggini.
3During his early years he was much esteemed as a maker of Viols, many of which have all the marks of careful work upon them. On all of these instruments will be found his name, surrounded with a design in purfling, under the finger-board, or his monogram executed in purfling. The same trade token will be found in his Violoncellos. All endeavours to discover any existing English Violoncello, or record of one, anterior to Barak Norman, have failed, and, consequently, it may be assumed that he was the first maker of that instrument in England. Here, again, is evidence of his partiality for the form of the Maggini, both father and son, as he copied these makers in nearly all his Violoncellos. All the Violoncellos of Barak Norman have bellies of splendid quality; the modelling is executed skilfully, due care having been observed in leaving sufficient wood. His Tenors are fine instruments. Many of these were made years before he began the Violoncellos, a fact which satisfactorily accounts for the marked difference in form peculiar to them. The build is higher, and the sound-hole
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