Scan 426
The violin: its famous makers and their imitators, 1884
6 lines. Read by computer on 28 September 2026. No printed page number was found. See the scan on archive.org.
1was asked to name his price for the six. After much giving and taking they became the property of the luthier. This business was not regarded as satisfactory by Tarisio; he had over-estimated the value of his goods in the Paris market; he had not learned that it was he himself who was to create the demand for high-class Italian instruments by spreading them far and wide, so that their incomparable qualities might be observed. He returned to Italy with his ardour somewhat cooled; the ready sale at the prices he had put upon his stock was not likely to be realised, he began to think. However, with the proceeds of his Paris transaction he again started in search of more Cremonas, with about the same satisfactory results. He resolved to visit Paris again, taking with him some of his choicest specimens. He reached the French capital with a splendid collection—one that in these days would create a complete furore throughout the world of Fiddles. He extended his acquaintance with the Parisian luthiers, among whom were MM. Vuillaume, Thibout, and Chanot senior. They were all delighted with the gems that Tarisio had brought, and encouraged him to bring to France as many more as he could procure, and at regular intervals. He did so, and obtained at each visit better prices.
3This remarkable man may be said to have lived for nought else but his Fiddles. Mr. Charles Reade, who knew him well, says,* "The man's whole soul
5* Cremona Violins, "Pall Mall Gazette."—August, 1872.
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