Scan 490
The violin: its famous makers and their imitators, 1884
6 lines. Read by computer on 28 September 2026. Printed page 394. See the scan on archive.org.
1tions are especially brilliant compositions; his Overtures are also much admired for their sparkling and dramatic character.
3I come now to notice one of the greatest artists of our time—Herr Ernst—whose playing was impassioned in the highest degree. He made the Violin express his innermost thoughts in tones of delicious tenderness such as his hearers can never forget. By nature noble, generous, and affectionate, the shade and substance of each trait was faithfully reflected in his exquisite playing. His compositions are among the finest solo writings we have. To mention his "Otello," "Airs Hongrois," "Le Prophète," and his "Studies," will be sufficient to call to the mind of most Violinists the high character of his compositions.
5It now only remains for me to briefly allude to the German artists each Concert Season makes us familiar with. First and foremost is the mighty Herr Joachim, a host in himself. His able coadjutor Herr Strauss is justly admired for his intellectual rendering of the works of the great masters, and the artistic spirit he invariably displays. Herr Wilhelmj is regarded as one of the first players of our time, his executive powers being of the highest order.
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