Scan 86
The violin: its famous makers and their imitators, 1884
6 lines. Read by computer on 28 September 2026. Printed page 36. See the scan on archive.org.
1may be said to perform the functions of the heart with unerring regularity. The pulsations of sound are regulated by this admirable contrivance. If mellowness of quality be sought, a slight alteration of its position or form will produce a favourable change of singular extent; if intensity of tone be requisite, the sound-post is again the regulator. It must, of course, be understood that its power of changing the quality of the tone is limited in proportion to the constitutional powers of the instrument in each case. It is not pretended that a badly constructed instrument can be made a good one by means of this subtle regulator, any more than a naturally weak person can be made robust by diet and hygiene.
3The position of the sound-post is usually one-eighth to three-eighths of an inch behind the right foot of the bridge, the distance being variable according to the model of the instrument. If the Violin be high-built, the post requires to be nearer the bridge, that its action may be stronger; whilst flat-modelled instruments require that the post be set further away from the bridge. It is not possible to have any uniform arrangement of the sound-post in all instruments; as we have remarked before in reference to the bass-bar, the variations in the thickness, outline, model, etc., of the Violin are so frequent as to defy identity of treatment; uniformity has been sought for, but without success.
5The post can only be adjusted by a skilful workman who either plays himself or has the advantage of
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