Scan 89
The violin: its famous makers and their imitators, 1884
6 lines. Read by computer on 28 September 2026. Printed page 39. See the scan on archive.org.
1is that small piece of wood against which the heel of the neck rests. The difficulty of making this apparently insignificant piece can only be understood by those who have gone through the various stages of Violin manufacture. The amount of finish given to the button affects in a great measure the whole instrument, and if there is any defect of style it is sure to be apparent here. It is a prominent feature, and the eye naturally rests upon it: as the key-stone to the arch, so is the button to the Violin.
3The sound-holes or f-holes, it is almost needless to remark, are features of vital importance. Upon the form given to them, and the manner of cutting them, largely depend the volume and quality of tone. The Italian makers of Brescia and Cremona appear to have been aware of the singular influence the formation of the sound-hole has upon the production and quality of sound. The variety of original shapes they gave to them is evidence of their knowledge. Appearance in keeping with the outline of their design, may have influenced them in some measure, but not entirely. Most makers used patterns from which to cut their sound-holes; Joseph Guarneri and some others appear to have drawn them on the belly and cut them accordingly.
5From the foregoing remarks upon the various portions of the Violin it may be assumed that the reader has gained sufficient insight into the process of its manufacture to enable him to dispense with a more minute description of each stage. It is unne-
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