Scan 120
The violin, its famous makers and their imitators, 1887
18 lines. Read by computer on 28 September 2026. No printed page number was found. See the scan on archive.org.
1BERGONZI, Niccolò, Cremona. Son of the above. He made a great number of Violins of similar form to those of his father. The wood which he selected was of a close nature and hard appearance.
3Nicolaus Bergonzi Cremonensis faciebat Anno 17
5The varnish is not equal to that of Carlo; it is thin and cold-looking. The workmanship is very good, being often highly finished; but yet wanting in character. The scroll is cramped, and scarcely of the Cremonese type. Lancetti mentions a Tenor by this maker, dated 1781.
7In the correspondence which passed between the grandson of Antonio Stradivari and the agents of Count Cozio (which is given in these pages), reference is made to some of the moulds of the great maker being in the keeping of —— Bergonzi, they having been lent to him, the writer saying that he would obtain them and put them with the other patterns, which appears to have been done. These moulds were doubtless lent to Michel Angelo Bergonzi, and were used by Niccolò as well as his father, and accounts for the form of their instruments being varied.
9BERGONZI, Zosimo, Cremona. Brother of Niccolò.
11BERGONZI, Carlo, Cremona, about 1780—1820. Son of Michel Angelo. He made a few Violins, large Stradivarius form sound-holes, straight and inelegant. He made also Guitars and Mandolins.
13BERGONZI, Benedetto, Cremona, died in 1840. Tarisio learned little points of interest concerning Stradivari and his contemporaries from Benedetto Bergonzi, which M. Vuillaume imparted to M. Fétis.
15BERTASSI, Ambrogio, Piadena (near Cremona), about 1730.
17BODIO, G. B., Venice, about 1832. Good workmanship; oil varnish, wide purfling.
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