Bow & Bridge Violin and bow makers, as the old books printed them

Scan 123

The violin, its famous makers and their imitators, 1887

4 lines. Read by computer on 28 September 2026. No printed page number was found. See the scan on archive.org.

1with the elegant outline of Amati. The points of difference may be summed up as follows:—the sound-hole is larger, and more obliquely set in the instrument; the upper portion of the body has a more contracted appearance; the head, as is the case with most makers, differs most, and, in this instance, in no way resembles Amati.
3There are few specimens of Cappa that bear their original labels; most of them are counterfeit "Amatis," and hence the great confusion which has arisen concerning their parentage. Lancetti says, "Foreign professors and amateurs, and particularly the English—though connoisseurs of the good and the beautiful—in buying the instruments of Cappa thought they had acquired those of Amati, the outline and character of the varnish and the quality of the tone resembling in some measure the instruments of the Brothers Amati. It is, however, reserved to a few Italian connoisseurs to distinguish them. Those of large pattern, and even of medium size, that have not been injured by unskilful restorers, are scarce, and realize high prices." These remarks, suggested sixty years since, by so able a connoisseur as Count Cozio, possess a peculiar interest, and cannot fail to interest the reader. As Lancetti remarks, they are of two patterns, one larger than the other. The large one is, of course, the more valuable; it is flatter, and altogether better finished. The Violoncellos of Cappa are among the best of the second-class Italian instruments, and are well worthy the attention of the professor and amateur. The varnish is frequently of very rich quality, its colour resembling that of Amati in many instances. Lancetti remarks upon the difference between those instruments of this make, as regards wood, made in Cremona, and those made in Piedmont, the first-named being made of wood of foreign

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