Scan 238
The violin, its famous makers and their imitators, 1887
24 lines. Read by computer on 28 September 2026. No printed page number was found. See the scan on archive.org.
1FRENCH MAKERS.
3Marquis de Lair, Mirecourt, about 1800. The name is generally branded on the back. The wood is chiefly of a plain description, and varnish wanting in transparency.
5Mast, Jean Laurent, Paris, about 1750.
7Mast, ——, Mirecourt and Toulouse. Son of Jean Laurent.
9Maucotel, Charles, born at Mirecourt, in 1807. In 1834 he entered the workshop of Gand in Paris. In 1844 he was employed by Davis, of Coventry Street, London, and ultimately commenced business in Rupert Street, from which he retired in 1860, and returned to France. He made several instruments, all of which have good qualities in workmanship and tone. They are strong in wood and carefully modelled.
11Maucotel, Charles Adolphe, Mirecourt, worked in Paris from 1839 until 1858, in which year he died. He made many excellent instruments.
13Médard, François; was established in Paris about 1700.
15Franciscus Médard
16fecit Parisiis 1710.
18The work is excellent, and the varnish soft and transparent.
20Médard, Nicolas, Nancy, brother of François.
21Médard, Jean, Nancy, brother of Nicolas.
23Mennégand, Charles, born at Nancy in 1822. He is distinguished both as a maker and repairer of instruments. He entered the service of Rambaux in Paris in 1840. He has been rightly regarded as having displayed singular ability in the delicate and difficult task of "cutting" the large Italian Violoncellos and Tenors. The practice of reducing the dimensions of Cremonese instruments has happily come to be looked upon as emulative of the acts of the Goths and Vandals. It is in any case certain that
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