Scan 286
The violin, its famous makers and their imitators, 1887
12 lines. Read by computer on 28 September 2026. No printed page number was found. See the scan on archive.org.
1material. Under such favourable conditions the results could not fail to be good.
3DODD, Thomas, London. Son of Thomas Dodd, musical instrument dealer, of St. Martin's Lane. The father, although not a maker of Violins, possessed excellent judgment, both as regards work and makers, which enabled his son to profit considerably during his early years whilst working with Fendt and Lott.
5DORANT, William, London, 1814.
7DUKE, Richard, worked from 1750—1780. The name of this maker has long been a household word with English Violinists, both amateur and professional. Who has not got a friend who is the fortunate owner of a veritable "Duke"? The fame of His Majesty Antonio Stradivari himself is not greater than that of Richard Duke in the eyes of many a Fiddle fancier.
9From his earliest fiddling days the name of Duke became familiar to him; he has heard more of him than of Stradivari, whom he somehow confuses with Cremona. He fondly imagines that Cremona was a celebrated maker, and Stradivari something else; inquires, and becomes more confused, and returns again to "Duke," with whom he is thoroughly at home.
11Many excellent judges have wondered how it came to pass that Richard Duke should have been so highly valued, there being, in their estimation, so little amongst his remains worthy of the reputation he gained. The truth is, that no maker, with the exception of the great Cremonese artists, has been so persistently counterfeited. The name of Duke
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