Scan 43
The violin, its famous makers and their imitators, 1887
6 lines. Read by computer on 3 September 2026. No printed page number was found. See the scan on archive.org.
1line. We have early mention of this particular view of Violin history among the valuable and interesting manuscript notes of Sir John Hawkins.1 The author states that the Rebab was taken to Spain by the Moors, "from whence it passed to Italy, and obtained the appellation of Ribeca." He also refers to a work entitled "Shaw's Travels," in which mention is made of the Rebeb or Rebab as an instrument common in the East in the eighteenth century. It is, however, upon turning to the dissertation on the invention and improvement of stringed instruments by John Gunn, published in 1793, that we first find a lucid account of Eastern influence in connection with bowed instruments.2 The author refers to the monochord as the invention of the Arabians: he then says, "The early acquaintance which it is probable the Egyptians had of the science and practise of music, was the source whence the Arabians might derive their knowledge. There is a remarkable correspondence between the dichord of the Egyptians and an instrument of the like number of strings of the Arabians. This instrument was played with a bow, and was probably introduced into Europe by the Arabians of Spain, and well known from the Middle Ages down to the last century by the name of the Rebec; it had probably on its first introduction
31 Hawkins' "History of Music" was published in the year 1776. The MS. notes, which are attached to the author's copy in the British Museum, were included in the edition published in 1853 by Novello & Co.
52 It may be remarked that nineteen years prior to the publication of John Gunn's dissertation was published the valuable work of Martinus Gerbertus, "De Cantu et Musicâ Sacrâ," dated 1774. The volumes of Gerbertus were evidently perused with care and attention by Gunn. The references of John Gunn to the work are the earliest I have met with.
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