Scan 290
The violin: its famous makers and their imitators, 1909
8 lines. Read by computer on 27 September 2026. No printed page number was found. See the scan on archive.org.
1excellently made, and the wood judiciously selected. He took his sons into partnership in 1859 and retired from business in 1866. He died in 1870. His sons, Ernst Auguste and Gustave Adolphe, were in partnership with Eugène Gand, and the firm was known as "Gand et Bernardel frères."
3Bertrand, Nicolas, Paris, about 1700 to 1735, used varnish of a superior kind. He made many of the Viols of the type common in Paris, for some time after the Violin had been introduced; they were named Dessus-de-Viole, Pardessus, Quinton, and Viole-haut-contre. His name is often seen branded on the backs of his instruments, inside.
5Boivin, Claude, about 1749, Paris. M. Chouquet, in his "Catalogue Raisonné" of the instruments at the Paris Conservatoire, described a Guitar by this maker, made for a daughter of Louis XV.
7Boquay, Jacques, Paris, 1700-1730. One of the first of the old French school. He, with a few of his contemporaries, inherited a good amount of the Italian character of workmanship, introduced probably into France by Nicolas Rénault. Boquay, with others whose names are mentioned in this list of French makers, used varnish closely allied to that of Cremona; its colour is a warm brown, very transparent, and of a soft nature. He made many instruments of small size. The model is often that of Girolamo Amati, but slightly more arched; the
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