Scan 418
The violin: its famous makers and their imitators, 1909
2 lines. Read by computer on 27 September 2026. Printed page 346. See the scan on archive.org.
1good fortune in being the first connoisseur to visit them. His usual method of trading was to exchange with the simple-minded villagers, giving them a Violin in perfect playing order for their shabby old instrument that lacked all the accessories. It was indeed the case of Aladdin's Lamp, and as potent were these Fiddles as the wonderful lamp or ring itself. In the possession of Luigi Tarisio they drew forth from the purses of the wealthy gold that would have enabled the humble villagers to have ceased labour. It is an axiom, however, that everything on this earth is only of value providing it is in its proper place, and these rare old instruments, in the keeping of the poor peasants, could scarcely be considered to be in their proper element; their ignorant possessors were alike unable to appreciate their sterling worth, as works of art, or their powers of sound. Luigi Tarisio, after gathering together a number of old rarities, made for his home, and busied himself in examining the qualities of his stock, selecting the best works, which he laid aside. With the residuum of those instruments he would again set out, using them as his capital wherewith to form the basis of future transactions among the peasantry and others. He visited the numerous monasteries throughout Italy that he might see the valuable specimens belonging to the chapel orchestras. He found them often in a condition ill becoming their value, and tendered his services to
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