Scan 474
The violin: its famous makers and their imitators, 1909
12 lines. Read by computer on 3 September 2026. Printed page 396. See the scan on archive.org.
1art. His Concertos are compositions worthy of the title they bear; they do not consist of a number of difficulties strung together without meaning, but are properly constructed works. He has written many Fantasias, all of which are the delight of good Violinists. His compositions being most difficult to render, they are chiefly known among artists, but in these days of rapid development in Violin-playing among amateurs, a new and wide field will certainly be opened for them.
3From Belgium to Poland seems a wide step in my discourse, but it is really not so. Although the Polish Violinists retain much originality in their style of playing and compositions, it is to the French school that they belong. Lipinski, Wieniawski, and Lotto were all educated in the Paris school.
5Lipinski has written a good deal for his instrument, and instructed many well-known players.
7Henri Wieniawski was essentially a great artist. He was a marvellous Violinist, and displayed great genius as a composer for his instrument.
9Adolphe Pollitzer settled in London many years since, and occupied a leading position among our resident Violinists.
11Having lightly touched upon the various heads of the French school, I must again take up the thread of the English history of the instrument from about 1750, at which period we may trace a growing admiration for Violin-playing, notwithstanding
The computer misreads some letters and numbers. Where a name matters to you, read the scan.