Books › The violin: its famous makers and their imitators. With numerous wood engravings from photographs of the works of Stradiuarius, Guarnerius, Amati, and others, 1875 › scan 56
Scan 56
The violin: its famous makers and their imitators. With numerous wood engravings from photographs of the works of Stradiuarius, Guarnerius, Amati, and others, 1875
2 lines. Read by computer on 29 August 2026. Printed page 20. See the scan on archive.org.
1In conclusion, I cannot refrain from cautioning possessors of good instruments against entrusting them into the barbaric hands of pretended repairers, who endeavour to persuade them into the belief that it is necessary to do this and that and the other for their benefit. The quack doctors of the Violin are legion—they are found in every town and city, ready to prey upon the credulity of the lovers of fiddles, and the injury they inflict on their helpless patients is frequently irreparable. Unfortunately, amateurs are frequently prone to be continually unsettling their instruments by trying different bars, sound-posts, etc., without considering the danger they run of damaging their property, instead of improving it. Should your instrument need any alteration, no matter how slight, consult only those who have made the subject a special study. There are a few such men to be found in the chief cities of Europe, men whose love for the instrument is of such a nature that it would not permit them to recommend alterations prejudicial to its well-being.
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