Books › The violin: its famous makers and their imitators. With numerous wood engravings from photographs of the works of Stradiuarius, Guarnerius, Amati, and others, 1875 › scan 72
Scan 72
The violin: its famous makers and their imitators. With numerous wood engravings from photographs of the works of Stradiuarius, Guarnerius, Amati, and others, 1875
2 lines. Read by computer on 29 August 2026. No printed page number was found. See the scan on archive.org.
1Violin, and executants, there were numbers of ardent patrons of the Cremonese and Brescian makers. Among these may be mentioned the Duke of Ferrara, Cardinal Ottoboni, with whom Corelli was in high favour, also the Elector of Bavaria and Charles IX., all of whom gave encouragement to the art by ordering complete sets of stringed instruments for their chapels and for other purposes. By the aid of such valuable patronage the makers were enabled to centre their attention on their work, and received reward commensurate with the amount of skill displayed. This had the effect of raising them above the status of the ordinary workman, and permitted them as a body to pass their lives amid comparative plenty. There are, without doubt, instances of great results obtained under trying circumstances, but the genius required to combine a successful battle with adversity with high proficiency in art is indeed a rare phenomenon. Carlyle says of such minds: "In a word, they willed one thing, to which all other things were subordinated and made subservient, and therefore, they accomplished it. The wedge will rend rocks, but its edge must be sharp and single; if it be double the wedge is bruised in pieces, and will rend nothing." It may, therefore, be affirmed that the greatest luminaries of the art world have shone most brightly under circumstances in keeping with their peaceful labours, it not being essential to success that men highly gifted for a particular art should have this strength of will unless there were immediate
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