Books › The violin: its famous makers and their imitators. : With several wood engravings from photographs of the works of Stradiuarius, Guarnerius, Amati, and others, 1880 › scan 108
Scan 108
The violin: its famous makers and their imitators. : With several wood engravings from photographs of the works of Stradiuarius, Guarnerius, Amati, and others, 1880
10 lines. Read by computer on 29 August 2026. Printed page 90. See the scan on archive.org.
1of the great makers. For years his works have been roaming about bearing the magic labels of "Guarnerius filius Andreæ," "Carlo Bergonzi," and sometimes of "Peter Guarnerius," although there is not a particle of resemblance between the works of our author and the makers named, whose labels have been used as floats.
3Montagnana was in every way original, but the fraud that has foisted his works upon makers who were better known has prevented his name from being associated with many of his choicest instruments, and deprived him of the place which he would long since have held in the estimation of the true connoisseur. This injustice, however, is fast passing away; as ever, genius comes forth triumphant.
5The time is near when the "mighty Venetian" and Carlo Bergonzi will occupy positions little less considerable than that of the two great masters. Already the merits of these makers are daily more appreciated, and when the scarcity of their genuine works is considered, it becomes a matter of certainty that their rank must be raised to the point indicated.
7It is much to be regretted that both Montagnana and Bergonzi did not leave more numerous specimens behind them. Would that each had been as prolific as their common master! We should then have inherited a store from which our coming violinists and violoncellists could have possessed themselves of splendid instruments, when those of Guarnerius and Stradiuarius were placed far beyond reach.
9In these times, when the love of music is rapidly developing itself among all classes, the question of
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