Books › The violin : some account of that leading instrument and its most eminent professors, from its earliest date to the present time : with hints to amateurs, anecdotes, etc., 1852 › scan 13
Scan 13
The violin : some account of that leading instrument and its most eminent professors, from its earliest date to the present time : with hints to amateurs, anecdotes, etc., 1852
8 lines. Read by computer on 3 September 2026. No printed page number was found. See the scan on archive.org.
1Bellon — his performance at the Philharmonic Concert — François-Antoine-Habeneck — appointed Director of the Opera, and Inspector General of the Conservatoire — M. Tolbecque and his brother — Prosper Sainton — admitted Bachelor of Letters — enters the Conservatory — appears at the Philharmonic Concerts in London — Belgian Artists — Charles Auguste de Beriot — early development — visits England — his marriage with Malibran — anecdotes — Henri Vieuxtemps — his success at Vienna, &c. — his sojourn at St. Petersburg — crosses the Atlantic — Joseph Artot — pupil of the Kreutzers. — pp. 176, et seq.
3CHAPTER V.
5THE GERMAN SCHOOL.
7The Schools of Germany, Italy, and France, compared — early performers — David Funk — a capital performer and general scholar — the irregularity of his life — his visit to the Castle of Schleitz — found dead — Thomas Baltzar — first taught the whole shift in England — buried in Westminster Abbey — Henry John Francis Biber — his solos — Godfrey Finger — his style — Chapel-Master to King James II — John Gottlieb Graun — Concert-Master to the King of Prussia — Francis Benda — acquaintance with the Hebrew, Löbel — engaged by the Prince Royal of Prussia — John Stamitz — his works — Leopold Mozart — appointed Valet-de-Chambre Musicien — publishes his "Method" for the Violin — travels with his son and daughter — his symphonies — William Cramer — leads at the Commemoration of Handel — succeeded at the Opera by Viotti — his two sons — Tassenberg — John Peter Salomon — his concerts in 1791 — treaty with Mozart — engagement with Haydn — his compositions, &c. — his pupil Pinto — Charles Stamitz — John Frederick Eck — Andreas and Bernard Romberg — their works — François Cramer — his character as a leader — Friedrich Ernst Fesca — his quartetts — Christoph Gottfried Kiesewetter — his last performances at Leicester — Louis Spohr — patronized by the Duke of Brunswick — travels — becomes Concert-Master, &c. to the Duke of Saxe Gotha — visits England in 1820 — his style criticised — the Norwich Musical Festival in 1839 — his "Violin-Schule" — his compositions — Charles William Ferdinand Guhr — his work on Paganini's mode of playing — Joseph Mayseder — Bernhard Molique — his appointments — his reception in Paris — his compositions — Ernst — Ole Bull, the Norwegian artist — his arrival in Paris during the prevalence of the cholera — his life and history — gives a concert — his successes detailed — his style — The Brothers Labitsky. — pp. 222, et seq.
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