Books › The violin : some account of that leading instrument and its most eminent professors, from its earliest date to the present time : with hints to amateurs, anecdotes, etc., 1852 › scan 263
Scan 263
The violin : some account of that leading instrument and its most eminent professors, from its earliest date to the present time : with hints to amateurs, anecdotes, etc., 1852
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1tirely changed his model, and made a special study of the peculiarities of that extraordinary man's execution. We are specially indebted to him for a work (already alluded to) on this subject, which was received with much interest; it is entitled "Ueber Paganini's Kunst, die Violine zu spielen."
3Joseph Mayseeder, a violinist of a high order, and, in a certain limited line, an original composer of acknowledged merit, acquired a considerable share of popularity in a comparatively short time. Residing principally at showy and dazzling Vienna, where the present musical taste does not conform, in point of solidity, to the accustomed German standard, he exercised the peculiarities of his style with unchecked freedom. As a composer, his ambition was generally to sparkle, and his habit was nearly all gaiety, or, as one of our musical critics has termed it, a tricksy mixture of gaiety and melancholy. His writings, full as they are of ingenuity, and containing much that cannot fail to please, are chargeable with a somewhat too flimsy character, and with too evident a tinge of what may be called the coquetry of composition. His playing, which was touched with the jerking manner observed in Kiesewetter, was also distinguished by much brilliancy and great powers of rapidity.
5Bernhard Molique, Concert-master to the Court, and second leader of the orchestra to the Opera, at Stuttgart, was born at Nuremberg, Oct. 7, 1803. His father, a town musician, was his first master, and taught him to play, not one, but many instruments; the violin was, however, that which the young artist preferred, and on which his progress was most rapid. At the age of fourteen, he was sent to Munich, and placed under the direction of Rovelli, first Violin of the Chapel Royal. Two
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