Bow & Bridge Violin and bow makers, as the old books printed them

Scan 72

The violin : some account of that leading instrument and its most eminent professors, from its earliest date to the present time : with hints to amateurs, anecdotes, etc., 1852

14 lines. Read by computer on 3 September 2026. Printed page 56. See the scan on archive.org.

1rini, is to be classed among the light and irregular troops. For the more disciplined and efficient forces, we must look to the Roman school, formed by Corelli, in which were produced the greatest composers and performers for the violin that Italy could boast, during the first half of the 18th century.
3FRANCESCO GEMINIANI, the ablest of Corelli's scholars, and who forms one of the brightest parts in the chain of Violinists
5"In linked sweetness long drawn out,"
7was born at Lucca, about the year 1680*. His first instructions in music were derived from Alessandro Scarlatti; and his study of the violin was commenced under Lunati (surnamed Il Gobbo), and completed under the great archetype, Corelli.
9On leaving Rome, where Corelli was then flourishing, Geminiani went to Naples, preceded by a degree of fame which secured his most favorable reception, and placed him at the head of the orchestra. If, however, we are to credit Barbella, the impetuosity of his feelings, and the fire of his genius, too ardent for his judgment, rendered him, at this period, so vague and unsteady a timeist, that, instead of guiding, combining, and giving concinnity to the performers under his direction, he disordered their motions, embarrassed their execution, and, in a word, threw the whole band into confusion.
11In the year 1714, he came to England, where his exquisite powers, as a solo performer, commanded universal admiration, and excited, among the nobility and gentry, a contention for the honor of patronising such
13* Dr. Burney dates his birth 1666; but Sir John Hawkins, who assigns the date above given, is the more likely to be correct, as he was personally acquainted with Geminiani.

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