Bow & Bridge Violin and bow makers, as the old books printed them

Scan 22

The violin: some account of that leading instrument, and its most eminent professors, from its earliest date to the present time;, 1878

12 lines. Read by computer on 3 September 2026. No printed page number was found. See the scan on archive.org.

1an ingenious inquiry into the Archology of the Violin, takes us back to the ancient Egyptians, to whom he assigns the primitive violin, under the name of the chélys, and suggests that its form must have resulted from a studious inspection of one of the heavenly constellations!
3M. Baillot, in his Introduction to the Méthode de Violon du Conservatoire, speculating on the origin of the instrument, has a passage which, in English, runs thus:—
5"It is presumed to have been known from the remotest times. On ancient medals, we behold Apollo represented as playing upon an instrument with three strings, similar to the violin. Whether it be to the God of Harmony that we should attribute the invention of this instrument, or whether it claim some other origin, we cannot deny to it somewhat that is divine.
7"The form of the violin bears a considerable affinity to that of the lyre, and thus favors the impression of its being no other than a lyre brought to perfection, so as to unite, with the facilities of modulation, the important advantage of expressing prolonged sounds—an advantage which was not possessed by the lyre."
9This is pretty and fanciful, but far too vague to be at all satisfactory. Apollo might appear to play on an instrument, in which antiquarian ingenuity might discover some latent resemblance to the violin; but where was his bow? M. Baillot has not ventured to assert that he had one—and we may safely conclude that he had not, if we except the bow that was his admitted attribute. As for the affinity to the lyre, it is indeed as faint as the most determined genealogist, studious of an exercise, could wish.
11It has been remarked, by some curious observer, that,

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