Scan 55
Violin master works and their interpretation, 1925
22 lines. Read by computer on 3 September 2026. No printed page number was found. See the scan on archive.org.
1regard to expression: Here the Agitato, restless, full of excitation, and also somewhat more movemented in tempo:
370. agitato
5continues up to the Tempo primo, which again is taken very quietly. Two measures after letter E the initial theme of the Adagio once more sets in. In the Cadenza after the two measures of trills:
771.
9there occurs what I am tempted to call a scherzoso passage:
1172. p
13It is one of the motives of the Adagio and should be played in that sense, a very light spiccato bowing being used for the above measure and the three which follow it.
15The third movement of the Concerto is marked Tempo di Minuetto, which actually is equivalent to Tempo moderato. The motive should be presented dolce, with a soft quality of tone, and should be played simply and with exact observance of the dynamic signs. The five measures coming a little after letter C which follow:
1773. IV
18f
19p dolce
21are characterized by a distinct change of mood. The first four measures of the group are to be played with decided harshness, and the measures which follow piano, dolce, very delicately and teasingly. The Menuet character of the piece is main-
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