Bow & Bridge Violin and bow makers, as the old books printed them

Books › Violin Mastery, 1919 › scan 93

Scan 93

Violin Mastery, 1919

8 lines. Read by computer on 3 September 2026. Printed page 67. See the scan on archive.org.

1Then, too, Mr. Hartmann is a genial and original thinker, a littérateur of no mean ability, a bibliophile, the intimate of the late Claude Debussy, and of many of the great men of musical Europe. Yet from the reader's standpoint the interest he inspires is, no doubt, mainly due to the fact that not only is he a great interpreting artist—but a great artist doubled by a great teacher, an unusual combination.
3Characteristic of Mr. Hartmann's hospitality (the writer had passed a pleasant hour with him some years before, but had not seen him since), was the fact that he insisted in brewing Turkish coffee, and making his caller feel quite at home before even allowing him to broach the subject of his visit. And when he learned that its purpose was to draw on his knowledge and experience for information which would be of value to the serious student and lover of his art, he did not refuse to respond.
5WHAT VIOLIN PLAYING REALLY IS
7"Violin playing is really no abstract mystery. It's as clear as geography in a way: one might say the whole art is bounded on the South by the G string, on the North by the E

The computer misreads some letters and numbers. Where a name matters to you, read the scan.