Scan 48
Violin mastery; talks with master violinists and teachers, 1919
2 lines. Read by computer on 29 August 2026. No printed page number was found. See the scan on archive.org.
1National Academy of Music in Budapest, later with Leopold Auer in Petrograd. Hubay had been a pupil of Vieuxtemps in Brussels, and is a justly celebrated teacher, very thorough and painstaking in explaining to his pupils how to do things; but the great difference between Hubay and Auer is that while Hubay tells a student how to do things, Auer, a temperamental teacher, literally drags out of him whatever there is in him, awakening latent powers he never knew he possessed. Hubay is a splendid builder of virtuosity, and has a fine sense for phrasing. For a year and a half I worked at nothing but studies with him, giving special attention to technic. He did not believe in giving too much time to left hand development, when without adequate bow technic finger facility is useless. Here he was in accord with Auer, in fact with every teacher seriously deserving of the name. Hubay was a first-class pedagog, and under his instruction one could not help becoming a well-balanced and musicianly player. But there is a higher ideal in violin playing than mere correctness, and Auer is an inspiring teacher. Hubay has written some admirable studies, notably twelve studies for the right hand, though he never stressed technic too greatly. On the
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