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Scan 202
Violin tone and violin makers, 1916
4 lines. Read by computer on 27 September 2026. Printed page 180. See the scan on archive.org.
1VIOLIN TONE
3into distinct types, varying with the period of their production. Though in the main a convenient system, the dates found in his violins do not by any means always square with it. Two illustrations of this will suffice. The "Hart" Joseph, now owned by the great artist Kreisler, is of the bold massive build which he is supposed to have adopted not earlier than 1740; but it dates, according to the label, from the year 1737. Paganini's famous instrument (now in the museum at Genoa) is dated 1743, and the splendid example known as the "Le Duc" was made in 1745. Neither of these instruments exhibits the exceptional finish and elegance of form which may be seen in a few examples made between about 1734-38, yet each is a remarkable work of art, though dating from a period when his handiwork has been said to betray a lamentable falling off in design, workmanship, and varnish. There is no doubt that del Gesù did occasionally produce instruments which in some features, such as the form of the sound-holes, are uncompromisingly ugly; but, in the writer's view, there are not sufficient data to assign these specimens to any particular period of his working life. His handsomest and most exquisitely finished violins seem to have been made approximately between the dates above stated, 1734-38. Instruments of this class are rare, but will in every way bear comparison with those of Stradivari. Three notable fiddles of this type may be mentioned: the D'Egville, dated 1735; the "King" Joseph (now in America), and the "Gillott," both dated 1737. These, with perhaps a dozen others, are reckoned amongst connoisseurs as the most finely formed and finished specimens of this great master's work. In early examples a distinct resemblance to the works of his cousin, Joseph, son of Andrea, is
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