Books › Violins and violin makers. Biographical dictionary of the great Italian artistes, their followers and imitators, to the present time. With essays on important subjects connected with the violin, 1866 › scan 140
Scan 140
Violins and violin makers. Biographical dictionary of the great Italian artistes, their followers and imitators, to the present time. With essays on important subjects connected with the violin, 1866
2 lines. Read by computer on 29 August 2026. Printed page 132. See the scan on archive.org.
1generally expresses the opinion of the travelled professional violinists of his own country as well as all Europe. But it is well known that in Germany a well preserved instrument of Steiner's best period will sell for much more money than any where else. In England more especially we adopt exactly the reverse valuation. Steiner will not now command a greater price than many of the pupils of the great masters, and perhaps to some extent this may arise from the immense number of spurious instruments bearing his name, which the inferior Tyrolese makers put forth to the world and palmed on a credulous public as his genuine instruments. Perhaps no master has been more copied and imitated, both in Germany and elsewhere. In England the violin makers in the beginning of the eighteenth century, mostly copied the pattern and model of Steiner. There must, therefore, be some good and powerful reason for this general depreciation in value and reputation which Steiner has suffered. This the candid inquirer readily finds in the fact that the instruments of Steiner, which were generally constructed on a
The computer misreads some letters and numbers. Where a name matters to you, read the scan.