Bow & Bridge

Antegnati, Giov

As printed

  1. Die Geigen- und Lautenmacher vom Mittelalter bis zur Gegenwart (1904)

    Antegnati, Giov. Francesco. — Brescia. 1530.

    scan pages 43, 45 · line 1See the scans: 43, 45source record

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    scan page 43, line 1

    1. Antegnati, Giov. Francesco. — Brescia. 1530.
    2. De Piccolellis nennt ihn Antognati und führt ihn als Lautenmacher an. Die Quelle, aus der er geschöpft hat, kann zwar nur das Buch von Giovan Maria Lanfranco sein, in diesem wird er aber ausdrücklich als "fabricatore di monochordi e clavicembali" bezeichnet. Die Familie Antegnati war eigentlich eine Orgelbauerfamilie, Giov. Francesco's Vater Bartolomeo, ebenso seine Brüder Giovan Giacobo und Giovan Battista und Graziadio, der Sohn des Letztgenannten, waren Orgelbauer, am bedeutendsten war aber Costanzo Antegnati, der ausserdem noch Organist und Musikschriftsteller war und 1608 seine "l'Arte Organica" herausgab.
    4. Antenelli, A. — London 1900.

  2. Die Geigen und Lautenmacher vom Mittelalter bis zur Gegenwart (1922)

    Antegnati, Giov. Francesco. — Brescia. 1535

    scan page 23, line 26See the scan

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    scan page 23, line 26

    1. Ansoldo, Rocco. — Genua. 1760
    2. Selten vorkommender Meister, der nicht ungeschickt nach J. B. Guadagnini arbeitete.
    4. Antegnati, Giov. Francesco. — Brescia. 1535
    5. De Piccolellis nennt ihn Antognati und führt ihn als Lautenmacher an. Die Quelle, aus der er geschöpft hat, kann zwar nur das Buch von Giovan Maria Lanfranco sein, in diesem wird er aber ausdrücklich als »fabricatore di monochordi e clavicembali« bezeichnet. Die Familie Antegnati war eigentlich eine Orgelbauerfamilie; Giov. Francescos Vater Bartolomeo, ebenso seine Brüder Giovan Giacobo und Giovan Battista und Graziadio, der Sohn des Letztgenannten, waren Orgelbauer; am bedeutendsten war aber Costanzo Antegnati, der außerdem noch Organist und Musikschriftsteller war und 1608 seine »l'Arte Organica« herausgab. Ausführlicheres über die Familie gibt Damiano Muoni im »Archivio storico Lombardo« (1883) S. 178—221.
    7. Antenelli, A. — London 1900

  3. An encyclopedia of the violin (1925)

    ANTEGNATI, GIOV. FRANCESCO, Brescia, 1535.

    scan page 33, line 22; scan page 35, line 19See the scans: 33, 35source record

    Another scan of this edition reads the same line with small differences in the machine text; the reading above is one of them, not a chosen one.

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    scan page 33, line 22

    1. AMBROSI (AMBROGI), PIETRO, Brescia, Rome, 1712 to 1748.
    2. AMELOT, ——, Lorient (Frankreich), 1821 to 1842.
    3. ANSELMO (ANSELMI), PIETRO, Florence, Venice, 1700 to 1750.
    4. ANTEGNATI, GIOV. FRANCESCO, Brescia, 1535.
    5. ANTONIAZZI, GAETANO, Cremona, b. 1823, d. Milan, 1897.
    6. ANTONY, H., 1750 to 1780.
    7. ASKEY, SAMUEL, London, b. 1785, d. about 1840.
Show all 4 printings

  1. An encyclopedia of the violin (n.d.)

    Antegnati, Giov. Francesco, Brescia, 1535.

    scan page 37, line 18See the scan

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    scan page 37, line 18

    1. Ambrosi (Ambrogi), Pietro, Brescia, Rome, 1712 to 1748.
    2. Amelot, ——, Lorient (Frankreich), 1821 to 1842.
    3. Anselmo (Anselmi), Pietro, Florence, Venice, 1700 to 1750.
    4. Antegnati, Giov. Francesco, Brescia, 1535.
    5. Antoniazzi, Gaetano, Cremona, b. 1823, d. Milan, 1897.
    6. Antony, H., 1750 to 1780.
    7. Askey, Samuel, London, b. 1785, d. about 1840.

Named in 4 books printed between 1904 and 1925. Read by software from scans of those pages, not yet checked by a person against the page. Entries from 4 books stand under this name, and the software judged them likely the same person. Tell us if that is wrong and we will split the record.

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Details and sources

Record note

Not established is the honest state of this record: it rests on one or more sources naming this maker, and nothing else on this site confirms it. Printed in: An encyclopedia of the violin (1925); An encyclopedia of the violin (1925); An Encyclopedia of the Violin (1926); Die Geigen- und Lautenmacher vom Mittelalter bis zur Gegenwart (1904); Die Geigen- und Lautenmacher vom Mittelalter bis zur Gegenwart (1904); Die Geigen und Lautenmacher vom Mittelalter bis zur Gegenwart (1922). Entries from 4 books stand under this name, and the software judged them likely the same person. Tell us if that is wrong and we will split the record. No claim beyond what those sources state has been invented here; if you can add to it, we want to hear from you.

What the books say

Places and dates of work
ANTEGNATI, GIOV. FRANCESCO, Brescia, 1535. reported1
Places and dates of work
Antegnati, Giov. Francesco, Brescia, 1535. reported1
Places and dates of work
Antegnati, Giov. Francesco, Brescia, 1535. reported1
Places and dates of work
Antegnati, Giov. Francesco. — Brescia. 1530. reported1
Places and dates of work
Antegnati, Giov. Francesco. — Brescia. 1530. reported1
Places and dates of work
Antegnati, Giov. Francesco. — Brescia. 1535 reported1

How the pages were read

6 of the 6 lines here were read from machine text (software that turns a photo of a page into words), not by a person looking at the page image. 1 of them rests on a section heading above a list of names, not on a trade word printed on its own line: “VIOLIN MAKERS IN EUROPE”.

Notes

  1. Read from machine text (software that turns a photo of a page into words, or a typed transcription), not by a person looking at the page image. ↩

The books behind this record

This record draws on 4 sources. Each is listed below with how it was read, because a claim read from a photo of the page is stronger than one read from machine text.

  1. Alberto Bachmann, An encyclopedia of the violin (1925). archive.org, encyclopediaofvi0000albe_h3k7. https://archive.org/details/encyclopediaofvi0000albe_h3k7.machine textcited for 1 linesource record

    scan page 33, line 22

  2. Bachmann, Alberto and Ysaye, Eugene, An encyclopedia of the violin (New York, Da Capo Press, n.d.). archive.org, encyclopediaofvi0000bach_r6r5. https://archive.org/details/encyclopediaofvi0000bach_r6r5.machine textcited for 1 linesource record

    scan page 37, line 18

  3. Alberto Bachmann, An Encyclopedia of the Violin (1925). archive.org, encyclopediaofvi0000albe_u1d5. https://archive.org/details/encyclopediaofvi0000albe_u1d5.machine textcited for 1 linesource record

    scan page 35, line 19

  4. Die Geigen- und Lautenmacher vom Mittelalter bis zur Gegenwart (1904). archive.org, bub_gb_cWCqAAAAIAAJ. https://archive.org/details/bub_gb_cWCqAAAAIAAJ.machine textcited for 1 linesource record

    scan page 43, line 1

  5. Die Geigen- und Lautenmacher vom Mittelalter bis zur Gegenwart (1904). archive.org, diegeigenundlau00vongoog. https://archive.org/details/diegeigenundlau00vongoog.machine textcited for 1 linesource record

    scan page 45, line 1

  6. Die Geigen und Lautenmacher vom Mittelalter bis zur Gegenwart (1922). archive.org, diegeigenundlaut02lt. https://archive.org/details/diegeigenundlaut02lt.machine textcited for 1 linesource record

    scan page 23, line 26