Bow & Bridge

Bedler, Norbert

As printed

  1. A dictionary of violin makers (1896)

    Bedler, Norbert. A maker in Würzburg in 1723. Was appointed maker to the Bavarian Court. In a viola di bordone in the Paris Conservatoire Collection is the label: “Norbert Bedler, luthier de la Cour de Bavière à Wurtzbourg, 1723.”

    scan page 16, line 11See the scan

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    scan page 16, line 11

    2. Beckmann (Bekman), Sweno. A maker at Stockholm about 1700-6. His instruments are roughly made.
    4. Bedler, Norbert. A maker in Würzburg in 1723. Was appointed maker to the Bavarian Court. In a viola di bordone in the Paris Conservatoire Collection is the label: "Norbert Bedler, luthier de la Cour de Bavière à Wurtzbourg, 1723."
    6. Bela, Szepessy, b. Nov. 30, 1856, Budapest. Apprenticed to Samuel Nemessany in Budapest, from August, 1868, till May 24, 1874. Then went to Vienna and worked under Zach till Oct. 20, 1879. Was then in Munich, but left, 1881, to settle in London, where he has his own business. He has personally made and varnished up to the present time 104 violins, 4 violas, and 2 violoncellos. He generally follows the Stradivari and Guarneri patterns, but in a few cases that of Nicola Amati; he uses oil varnish of soft quality, a yellow-red colour. His instruments are much liked.

  2. A dictionary of violin makers (n.d.)

    Bedler, Norbert. A maker in Würzburg in 1723. Was appointed maker to the Bavarian Court. In a viola di bordone in the Paris Conservatoire Collection is the label. “Norbert Bedler, luthier de la Cour de Bavière à Wurtzbourg, 1723.”

    scan page 18, line 6See the scans: 18, 18source record

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    scan page 18, line 6

    1. Bausch, Ludwig Christian August, b Jan. 15, 1805, at Naumburg; d. May 26, 1871, at Leipzig. Pupil of B. Fritsche in Dresden, then settled in Leipzig as a violin bow maker. Other members of the firm were Ludwig Bausch and Otto Bausch (b. 1841).
    2. Bausch was a celebrated maker of violin bows in Dessau. It is said that Spohr gave him advice as to the construction of the bow. 1840, he received a silver medal at the Dresden Exhibition.
    3. Beckmann (Bekman), Sweno. A maker at Stockholm about 1700-50. His instruments are roughly made.
    4. Bedler, Norbert. A maker in Würzburg in 1723. Was appointed maker to the Bavarian Court. In a viola di bordone in the Paris Conservatoire Collection is the label. "Norbert Bedler, luthier de la Cour de Bavière à Wurtzbourg, 1723."
    5. Bela, Szepessy, b. Nov. 30, 1856, Budapest. Apprenticed to Samuel Nemessany in Budapest, from August, 1868, till May 24, 1874. Then went to Vienna and worked under Zach till Oct. 20, 1879. Was then in Munich, but left, 1881, to settle in London, where he has his own business. He has personally made and varnished up to the present time 104 violins, 4 violas, and 2 violoncellos. He generally follows the Stradivari and Guarneri patterns, but in a few cases that of Nicola Amati, he uses oil varnish of soft quality, a yellow-red colour. His instruments are much liked.
    6. Bellone, Pietro Antonio, known as Il Pescorino. A maker in Milan in 1694. Label: "Pietro Antonio Bellone, detto il Pescorino, fece in contrada larga di Milano, 1694, al segno di S. Antonio da Padova."
    7. Bellosio, Anselmo. A maker in Venice about 1720-80. Pupil of Santo Serafino. He made good violoncellos, but as a rule his instruments are not so well made as those of his master. M. A. Cerin was a pupil of his. Label: "Anselmij Bellosij, fecit Venetiis, 17—."

  3. Old violins (1905)

    BEDLER, Norbert. Würzburg, 1723.

    scan page 265, line 19See the scan

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    scan page 265, line 19

    1. BAUSCH, Ludwig Christian. Good bow-maker; Naumburg and Leipsic, 1805-71.
    2. BAUSCH, Excellent bow-maker; silver medallist, Dresden; friend of Spohr, 1840.
    3. BECKMANN (Bekman), Sweno. Stockholm; rough maker, 1700-6.
    4. BEDLER, Norbert. Würzburg, 1723.
    5. BELA, Szepessy. Good contemporary maker; worked at Budapest and Munich, and is now in London; copies Strad and N. Amati.
    6. BELLONE, Pietro Antonio, known as Il Pescorino, Milanese, 1694.
    7. BELLOSIO, Anselmo. Venetian; pupil of Serafino and master of M. A. Cerin, 1720-80.

Named in 3 books printed between 1896 and 1905. Read by software from scans of those pages, not yet checked by a person against the page. Entries from 3 books stand under this name, and the software judged them likely the same person. Tell us if that is wrong and we will split the record.

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Details and sources

Record note

What this record rests on is A dictionary of violin makers (1890); A dictionary of violin makers (1890); A dictionary of violin makers (1896); Old violins (1905), naming this maker and nothing more. Entries from 3 books stand under this name, and the software judged them likely the same person. Tell us if that is wrong and we will split the record. Nothing else on this site confirms it and no claim has been invented beyond that naming — not established, until someone can tell us more.

What the books say

Places and dates of work
Bedler, Norbert. A maker in Würzburg in 1723. Was appointed maker to the Bavarian Court. In a viola di bordone in the Paris Conservatoire Collection is the label. “Norbert Bedler, luthier de la Cour de Bavière à Wurtzbourg, 1723.” reported1
Places and dates of work
Bedler, Norbert. A maker in Würzburg in 1723. Was appointed maker to the Bavarian Court. In a viola di bordone in the Paris Conservatoire Collection is the label. “Norbert Bedler, luthier de la Cour de Bavière à Wurtzbourg, 1723.” reported1
Places and dates of work
Bedler, Norbert. A maker in Würzburg in 1723. Was appointed maker to the Bavarian Court. In a viola di bordone in the Paris Conservatoire Collection is the label: “Norbert Bedler, luthier de la Cour de Bavière à Wurtzbourg, 1723.” reported1
Places and dates of work
BEDLER, Norbert. Würzburg, 1723. reported1

How the pages were read

4 of the 4 lines here were read from machine text (software that turns a photo of a page into words), not by a person looking at the page image. 2 of them rest on a section heading above a list of names, not on a trade word printed on their own line: “A DICTIONARY OF VIOLIN MAKERS.”, “DICTIONARY OF VIOLIN MAKERS”.

Notes

  1. Read from machine text (software that turns a photo of a page into words, or a typed transcription), not by a person looking at the page image. ↩

The books behind this record

This record draws on 3 sources. Each is listed below with how it was read, because a claim read from a photo of the page is stronger than one read from machine text.

  1. Stainer, C. (Cecie), 1867-1937, A dictionary of violin makers (London: Novello, n.d.). archive.org, dictionaryofviol00stai. https://archive.org/details/dictionaryofviol00stai.machine textcited for 1 linesource record

    scan page 18, line 6

  2. Stainer, C. (Cecie), 1867-1937, A dictionary of violin makers (London: Novello, n.d.). archive.org, dictionaryofviol1899stai. https://archive.org/details/dictionaryofviol1899stai.machine textcited for 1 linesource record

    scan page 18, line 6

  3. Stainer, C. (Cecie), 1867-1937, A dictionary of violin makers (London ; New York: Novello, Ewer, 1896). archive.org, dictionaryofviol00stai_0. https://archive.org/details/dictionaryofviol00stai_0.machine textcited for 1 linesource record

    scan page 16, line 11

  4. Haweis, H. R. (Hugh Reginald), 1839-1901, Old violins (Edinburgh, Grant, 1905). archive.org, oldviolins00hawe. https://archive.org/details/oldviolins00hawe.machine textcited for 1 linesource record

    scan page 265, line 19