Eesbroeck

As printed

  1. A dictionary of violin makers (1896)

    Eesbroeck, Jan van. A lute maker in Antwerp, 1583-85, son of Josse van Eesbroeck. He also made clavecins.

    scan page 34, line 12See the scan

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    scan page 34, line 12

    1. Eberti, Tommaso. An Italian maker about 1730-50.
    2. Edlinger, Joseph Joachim, son of Thomas Edlinger, d. May 30, 1748, at Prague. He made excellent lutes, and was a good workman; for having first learnt his trade from his father, he lived for many years in Italy in order to perfect his art, and visited Cremona, Rome, Naples, Bologna, Ferrara, and Venice. His instruments are much valued.
    3. Edlinger, Thomas, b. in Bohemia, and was living in Prague, 1712-15. Said to be a pupil of Stainer, made very good instruments, using varnish resembling slightly that of the Bergonzis. His lutes are finely made.
    4. Eesbroeck, Jan van. A lute maker in Antwerp, 1583-85, son of Josse van Eesbroeck. He also made clavecins.
    5. Eglington. A maker in London in 1802, according to a label "Eglington fecit, Drury Lane, London, 1802," which was in a violin of very good tone, but poor workmanship.
    6. Elément, Jean Laurent. Working in Paris in 1783.
    7. Elsler (Esler), Johann Joseph. A maker in Mayence about 1715-30. One bass-viol with seven strings, the head of a woman instead of scroll, and with varnish of a yellow-brown colour, was dated 1728. Label: "Joann Joseph Esler, Lauten und Geigenmacher, Meyntz, 1717."
  2. A dictionary of violin makers (n.d.)

    Eesbroeck, Jan van. A lute maker in Antwerp, 1583-85, son of Josse van Eesbroeck. He also made clavecins.

    scan page 36, line 12See the scans: 36, 36source record

    Read the transcript line

    This is what the software read off the scan, not the page itself. The cited line is marked, and three lines either side are shown for context.

    scan page 36, line 12

    1. Eberti, Tommaso. An Italian maker about 1730-50.
    2. Edlinger, Joseph Joachim, son of Thomas Edlinger, d. May 30, 1748, at Prague. He made excellent lutes, and was a good workman; for having first learnt his trade from his father, he lived for many years in Italy in order to perfect his art, and visited Cremona, Rome, Naples, Bologna, Ferrara, and Venice. His instruments are much valued.
    3. Edlinger, Thomas, b. 1662, Augsburg, was living in Prague, 1712-29. Said to be a pupil of Stainer, made very good instruments, using varnish resembling slightly that of the Bergonzis. His lutes are finely made.
    4. Eesbroeck, Jan van. A lute maker in Antwerp, 1583-85, son of Josse van Eesbroeck. He also made clavecins.
    5. Eglington. A maker in London in 1802, according to a label "Eglington fecit, Drury Lane, London, 1802," which was in a violin of very good tone, but poor workmanship.
    6. Elément, Jean Laurent. Working in Paris in 1783. See "Clément."
    7. Elsler (Esler), Johann Joseph. A maker in Mayence about 1715-30. One bass-viol with seven strings, the head of a woman instead of scroll, and with varnish of a yellow-brown colour, was dated 1728. Label: "Joann Joseph Esler, Lauten und Geigenmacher, Meyntz, 1717."

Named in 2 books, all printed 1896. Read by software from scans of those pages, not yet checked by a person against the page. Entries from 2 books stand under this name, and the software judged them near-certain the same person. Tell us if that is wrong and we will split the record.

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Details and sources

Record note

Not established is the honest state of this record: it rests on one or more sources naming this maker, and nothing else on this site confirms it. Printed in: A dictionary of violin makers (1890); A dictionary of violin makers (1890); A dictionary of violin makers (1896). Entries from 2 books stand under this name, and the software judged them near-certain the same person. Tell us if that is wrong and we will split the record. No claim beyond what those sources state has been invented here; if you can add to it, we want to hear from you.

What the books say

Places and dates of work
Eesbroeck, Jan van. A lute maker in Antwerp, 1583-85, son of Josse van Eesbroeck. He also made clavecins. reported1
Places and dates of work
Eesbroeck, Jan van. A lute maker in Antwerp, 1583-85, son of Josse van Eesbroeck. He also made clavecins. reported1
Places and dates of work
Eesbroeck, Jan van. A lute maker in Antwerp, 1583-85, son of Josse van Eesbroeck. He also made clavecins. reported1

How the pages were read

3 of the 3 lines here were read from machine text (software that turns a photo of a page into words), not by a person looking at the page image. 1 of them rests on a section heading above a list of names, not on a trade word printed on its own line: “A DICTIONARY OF VIOLIN MAKERS.”.

Notes

  1. Read from machine text (software that turns a photo of a page into words, or a typed transcription), not by a person looking at the page image.

The books behind this record

This record draws on 2 sources. Each is listed below with how it was read, because a claim read from a photo of the page is stronger than one read from machine text.

  1. Stainer, C. (Cecie), 1867-1937, A dictionary of violin makers (London: Novello, n.d.). archive.org, dictionaryofviol00stai. https://archive.org/details/dictionaryofviol00stai.machine textcited for 1 linesource record

    scan page 36, line 12

  2. Stainer, C. (Cecie), 1867-1937, A dictionary of violin makers (London: Novello, n.d.). archive.org, dictionaryofviol1899stai. https://archive.org/details/dictionaryofviol1899stai.machine textcited for 1 linesource record

    scan page 36, line 12

  3. Stainer, C. (Cecie), 1867-1937, A dictionary of violin makers (London ; New York: Novello, Ewer, 1896). archive.org, dictionaryofviol00stai_0. https://archive.org/details/dictionaryofviol00stai_0.machine textcited for 1 linesource record

    scan page 34, line 12