died 1820
As printed
A dictionary of violin makers (1896)
Gand, Charles Michel, the head of the Gand family, b. 1748, at Mirecourt; d. 1820, Versailles. He established himself in Versailles in 1780, …
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- Musique," and later, "de la chapelle de l'Empereur." In 1855 his brother, C. N. Eugène Gand, became his partner, and at the Paris Exhibition that year "Gand frères" gained a medal of the 1st class. He received the cross of "Chevalier de la Légion d'honneur," August 19, 1862. Labels: (1) "Gand, luthier de la musique du Roi et du Conservatoire de Musique, rue Croix-des-petits-Champs, Paris, 18—. 1845-1848, A. G."; (2) "Gand, luthier du Conservatoire de Musique, rue Croix-des-petits-Champs, No. 20, Paris, 1854. A. G."; (3) "Gand frères, luthiers de la musique de l'Empereur et du Conservatoire Impérial de Musique, No. —. Paris, 1855 à 1866."
- Gand, Charles François, eldest son of Charles Michel Gand, b. Aug. 5, 1787, Versailles; d. May 10, 1845, Paris. First worked at Versailles with his father; in 1802 was apprenticed to Nicolas Lupot, of Paris; he remained for four years, returning to his father July 17, 1806. In 1810 he again went to Paris, and started his own business at 5, rue Croix-des-petits-Champs; in 1820 he bought Koliker's property at No. 24, in the same street, where he remained till his death. In 1824 he succeeded Lupot, whose daughter he had married. He followed in Lupot's footsteps, making his instruments with the same care and ability, never letting an instrument leave his shop which was not entirely made by his own hands; he used brilliant red-brown varnish, rather thick in quality. Lupot left unfinished an order for the Royal Orchestra; Gand completed it, making 6 violins, 3 violas, 5 violoncellos, and 4 double-basses between 1824 and 1828. These beautiful specimens of his work were unfortunately destroyed when the Tuileries was burnt down in 1871. He was especially skilful in repairing old instruments, owing to his great knowledge of Italian work. Appointed "Luthier du Conservatoire," he for some time made the violins and violoncellos given as prizes to the pupils. Labels: "Gand chez Lupot, rue de Grammont, 1805," used when in Lupot's workshop; "Ch. F. Gand fils, luthier Versailles, 1807," used when working with his father; "Ch. F. Gand, élève de N. Lupot, luthier, rue Croix-des-petits-Champs, à Paris, an 1812"; "Gand, luthier, élève de Lupot, rue Croix-des-petits-Champs, No. 24, Paris, 1820 à 1824"; "Gand, luthier de la musique du roi et de l'Ecole Royale de Musique, rue Croix-des-petits-Champs à Paris, 1825 à 1830"; "Gand, luthier du Conservatoire de Musique, rue Croix-des-petits-Champs, 1833"; "Gand, luthier de la musique du roi et du Conservatoire de Musique, rue Croix-des-petits-Champs, Paris, 18—, 1833 à 1845." He had two sons, both makers, Charles Adolphe and Charles Nicolas Eugène.
- Gand, Charles Michel, the head of the Gand family, b. 1748, at Mirecourt; d. 1820, Versailles. He established himself in Versailles in 1780, at 71, rue du Commerce; later moved to 32, rue de la Paroisse, at the sign of "aux tendres accords." He had two sons, both makers, Charles François and Guillaume, the latter succeeded him.
- Gand, Charles Nicolas Eugène, second son of Charles François Gand, b. June 5, 1825, Paris; d. Feb. 5, 1892, Boulogne-sur-Seine. He studied music, at the same time learnt his trade under his father and brother. Entered the Paris Conservatoire, Nov. 19, 1834, being admitted to Baillot's special violin class, Nov. 28, 1840, and not leaving until Baillot's death, in 1842. He joined his brother Charles Adolphe as partner in 1855; Adolphe dying in 1866, the two houses, Gand and Bernardel, became one. "Gand et Bernardel frères" were first at 21, rue Croix-des-petits-Champs, then at 4, passage Saulnier in 1883. Instruments were no longer carefully constructed by the maker himself, workmen had to be employed to make the quantities of instruments required for orchestra playing; during the Paris Exhibition, 1878, the firm "Gand" supplied 52 violins, 18 altos, 18 violoncellos, and 18 double-basses for the big orchestras playing there. These instruments all have "Palais du Trocadero, 1878," on their labels. Though clever workmen had worked on them, all instruments that bear his name received the finishing touches and were varnished by Eugène himself. He also made very good bows, the violin bows especially are noted for their lightness and perfect balance. Like his father he was a great authority on old instruments. Between 1866 and the year of his death, 1,506 violins, 460 violoncellos, and 190 altos passed through his hands, the last violin being finished on August 14, 1891. In 1889 he and Gustave Bernardel exhibited a double-bass, noticeable as being of the
A dictionary of violin makers (n.d.)
Gand, Charles Michel, the head of the Gand family, b. 1748, at Mirecourt; d. 1820, Versailles. He established himself in Versailles in 1780, …
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- Musique," and later, "de la chapelle de l'Empereur." In 1855 his brother, C. N. Eugène Gand, became his partner, and at the Paris Exhibition that year "Gand frères" gained a medal of the 1st class. He received the cross of "Chevalier de la Légion d'honneur," August 19, 1862. Labels: (1) "Gand, luthier de la musique du Roi et du Conservatoire de Musique, rue Croix-des-petits-Champs, Paris, 18—. 1845-1848, A. G."; (2) "Gand, luthier du Conservatoire de Musique, rue Croix-des-petits-Champs, No. 20, Paris, 1854. A. G."; (3) "Gand frères, luthiers de la musique de l'Empereur et du Conservatoire Impérial de Musique, No. —. Paris, 1855 à 1866."
- Gand, Charles François, eldest son of Charles Michel Gand, b. Aug. 5, 1787, Versailles; d. May 10, 1845, Paris. First worked at Versailles with his father; in 1802 was apprenticed to Nicolas Lupot, of Paris; he remained for four years, returning to his father July 17, 1806. In 1810 he again went to Paris, and started his own business at 5, rue Croix-des-petits-Champs; in 1820 he bought Koliker's property at No. 24, in the same street, where he remained till his death. In 1824 he succeeded Lupot, whose daughter he had married. He followed in Lupot's footsteps, making his instruments with the same care and ability, never letting an instrument leave his shop which was not entirely made by his own hands; he used brilliant red-brown varnish, rather thick in quality. Lupot left unfinished an order for the Royal Orchestra; Gand completed it, making 6 violins, 3 violas, 5 violoncellos, and 4 double-basses between 1824 and 1828. These beautiful specimens of his work were unfortunately destroyed when the Tuileries was burnt down in 1871. He was especially skilful in repairing old instruments, owing to his great knowledge of Italian work. Appointed "Luthier du Conservatoire," he for some time made the violins and violoncellos given as prizes to the pupils. Labels: "Gand chez Lupot, rue de Grammont, 1805," used when in Lupot's workshop; "Ch. F. Gand fils, luthier Versailles, 1807," used when working with his father; "Ch. F. Gand, élève de N. Lupot, luthier, rue Croix-des-petits-Champs, à Paris, an 1812"; "Gand, luthier, élève de Lupot, rue Croix-des-petits-Champs, No. 24, Paris, 1820 à 1824"; "Gand, luthier de la musique du roi et de l'Ecole Royale de Musique, rue Croix-des-petits-Champs à Paris, 1825 à 1830"; "Gand, luthier du Conservatoire de Musique, rue Croix-des-petits-Champs, 1833"; "Gand, luthier de la musique du roi et du Conservatoire de Musique, rue Croix-des-petits-Champs, Paris, 18—, 1833 à 1845." He had two sons, both makers, Charles Adolphe and Charles Nicolas Eugène.
- Gand, Charles Michel, the head of the Gand family, b. 1748, at Mirecourt; d. 1820, Versailles. He established himself in Versailles in 1780, at 71, rue du Commerce; later moved to 32, rue de la Paroisse, at the sign of "aux tendres accords." He had two sons, both makers, Charles François and Guillaume, the latter succeeded him.
- Gand, Charles Nicolas Eugène, second son of Charles François Gand, b. June 5, 1825, Paris; d. Feb. 5, 1892, Boulogne-sur-Seine. He studied music, at the same time learnt his trade under his father and brother. Entered the Paris Conservatoire, Nov. 19, 1834, being admitted to Baillot's special violin class, Nov. 28, 1840, and not leaving until Baillot's death, in 1842. He joined his brother Charles Adolphe as partner in 1855; Adolphe dying in 1866, the two houses, Gand and Bernardel, became one. "Gand et Bernardel frères" were first at 21, rue Croix-des-petits-Champs, then at 4, passage Saulnier in 1883. Instruments were no longer carefully constructed by the maker himself, workmen had to be employed to make the quantities of instruments required for orchestra playing; during the Paris Exhibition, 1878, the firm "Gand" supplied 52 violins, 18 altos, 18 violoncellos, and 18 double-basses for the big orchestras playing there. These instruments all have "Palais du Trocadero, 1878," on their labels. Though clever workmen had worked on them, all instruments that bear his name received the finishing touches and were varnished by Eugène himself. He also made very good bows, the violin bows especially are noted for their lightness and perfect balance. Like his father he was a great authority on old instruments. Between 1866 and the year of his death, 1,506 violins, 460 violoncellos, and 190 altos passed through his hands, the last violin being finished on August 14, 1891. In 1889 he and Gustave Bernardel exhibited a double-bass, noticeable as being of the
GAND, Charles Michel, the head of the Gand family; b. 1748, at Mirecourt; d. 1820, Versailles.
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- GALRAM, Joachim Joseph. Lisbon in 1769.
- GAND, Charles Adolphe, eldest son of Charles François Gand; b. Dec. 11, 1812, Paris; d. Jan. 24, 1866.
- GAND, Charles François, eldest son of Charles Michel Gand; b. Aug. 5, 1787, Versailles. (See p. 108.)
- GAND, Charles Michel, the head of the Gand family; b. 1748, at Mirecourt; d. 1820, Versailles.
- GAND, Charles Nicolas Eugène, second son of Charles François Gand; b. June 5, 1825, at Paris; d. Feb. 5, 1892, Boulogne-sur-Seine.
- GAND, Guillaume, second son of Charles Michel Gand, 1792-1858.
- GARANI (Garana), Michelangelo. A maker in Bologna about 1680 to 1720; small value.
Show all 5 printings
An encyclopedia of the violin (1925)
GAND, CHARLES-MICHEL, Versailles, b. Mirecourt, about 1748, d. Versailles, 1820.
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- GAND, CHARLES-FRANÇOIS, Paris, b. Versailles, 1787, d. Paris, 1845. Son of Michael Gand and from 1807 to 1810 a worthy pupil of Nicolas Lupot. After Lupot's death in 1824, Charles took over his business and his workshops. He was unquestionably the most able French violin maker of his time. His instruments compare favorably with those of the old Italian makers, and bring high prices. There are several splendid specimens in the museum of the Paris Conservatory. The label used by Gand is reproduced on Plate 15.
- GAND, CHARLES-MICHEL, Versailles, b. Mirecourt, about 1748, d. Versailles, 1820.
- GAND, CHARLES-NICOLAS-EUGENE, Paris, b. Paris, 1825, d. 1892.
An encyclopedia of the violin (n.d.)
GAND, CHARLES-MICHEL, Versailles, b. Mirecourt, about 1748, d. Versailles, 1820.
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- GAND, CHARLES-FRANÇOIS, Paris, b. Versailles, 1787, d. Paris, 1845. Son of Michael Gand and from 1807 to 1810 a worthy pupil of Nicolas Lupot. After Lupot's death in 1824, Charles took over his business and his workshops. He was unquestionably the most able French violin maker of his time. His instruments compare favorably with those of the old Italian makers, and bring high prices. There are several splendid specimens in the museum of the Paris Conservatory. The label used by Gand is reproduced on Plate 15.
- GAND, CHARLES-MICHEL, Versailles, b. Mirecourt, about 1748, d. Versailles, 1820.
- GAND, CHARLES-NICOLAS-EUGENE, Paris, b. Paris, 1825, d. 1892.
Named in 5 books printed between 1896 and 1925. Read by software from scans of those pages, not yet checked by a person against the page. Entries from 5 books stand under this name, and the software judged them likely the same person. Tell us if that is wrong and we will split the record.
Details and sources
Record note
What this record rests on is A dictionary of violin makers (1890); A dictionary of violin makers (1890); A dictionary of violin makers (1896); An encyclopedia of the violin (1925); An encyclopedia of the violin (1925); An Encyclopedia of the Violin (1926); Old violins (1905), naming this maker and nothing more. Entries from 5 books stand under this name, and the software judged them likely the same person. Tell us if that is wrong and we will split the record. Nothing else on this site confirms it and no claim has been invented beyond that naming — not established, until someone can tell us more.
What the books say
- Places and dates of work
- Gand, Charles Michel, the head of the Gand family, b. 1748, at Mirecourt; d. 1820, Versailles. He established himself in Versailles in 1780, … reported1
- Places and dates of work
- Gand, Charles Michel, the head of the Gand family, b. 1748, at Mirecourt; d. 1820, Versailles. He established himself in Versailles in 1780, … reported1
- Places and dates of work
- Gand, Charles Michel, the head of the Gand family, b. 1748, at Mirecourt; d. 1820, Versailles. He established himself in Versailles in 1780, … reported1
- Places and dates of work
- GAND, CHARLES-MICHEL, Versailles, b. Mirecourt, about 1748, d. Versailles, 1820. reported1
- Places and dates of work
- GAND, CHARLES-MICHEL, Versailles, b. Mirecourt, about 1748, d. Versailles, 1820. reported1
- Places and dates of work
- GAND, CHARLES-MICHEL, Versailles, b. Mirecourt, about 1748, d. Versailles, 1820. reported1
- Places and dates of work
- GAND, Charles Michel, the head of the Gand family; b. 1748, at Mirecourt; d. 1820, Versailles. reported1
- Died (date and place)
- Died 1820. As printed in the cited source: “GAND, CHARLES-MICHEL, Versailles, b. Mirecourt, about 1748, d. Versailles, 1820” reported1
How the pages were read
8 of the 8 lines here were read from machine text (software that turns a photo of a page into words), not by a person looking at the page image. 4 of them rest on a section heading above a list of names, not on a trade word printed on their own line: “VIOLIN MAKERS”, “A DICTIONARY OF VIOLIN MAKERS.”, “VIOLIN MAKERS IN EUROPE”, “DICTIONARY OF VIOLIN MAKERS”.
Notes
- Read from machine text (software that turns a photo of a page into words, or a typed transcription), not by a person looking at the page image. ↩
The books behind this record
This record draws on 5 sources. Each is listed below with how it was read, because a claim read from a photo of the page is stronger than one read from machine text.
- Stainer, C. (Cecie), 1867-1937, A dictionary of violin makers (London: Novello, n.d.). archive.org, dictionaryofviol00stai. https://archive.org/details/dictionaryofviol00stai.
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- Stainer, C. (Cecie), 1867-1937, A dictionary of violin makers (London: Novello, n.d.). archive.org, dictionaryofviol1899stai. https://archive.org/details/dictionaryofviol1899stai.
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- Stainer, C. (Cecie), 1867-1937, A dictionary of violin makers (London ; New York: Novello, Ewer, 1896). archive.org, dictionaryofviol00stai_0. https://archive.org/details/dictionaryofviol00stai_0.
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- Alberto Bachmann, An encyclopedia of the violin (1925). archive.org, encyclopediaofvi0000albe_h3k7. https://archive.org/details/encyclopediaofvi0000albe_h3k7.
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- Bachmann, Alberto and Ysaye, Eugene, An encyclopedia of the violin (New York, Da Capo Press, n.d.). archive.org, encyclopediaofvi0000bach_r6r5. https://archive.org/details/encyclopediaofvi0000bach_r6r5.
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- Alberto Bachmann, An Encyclopedia of the Violin (1925). archive.org, encyclopediaofvi0000albe_u1d5. https://archive.org/details/encyclopediaofvi0000albe_u1d5.
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- Haweis, H. R. (Hugh Reginald), 1839-1901, Old violins (Edinburgh, Grant, 1905). archive.org, oldviolins00hawe. https://archive.org/details/oldviolins00hawe.
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