As printed
Dictionary of Violin makers (1928)
PAUL (Pierre-Saint) — Paris circa 1740. Instruments of the Amati model. Grey-yellow or red varnish. He was established at rue Saint-André-des-Arts. Sign-board: « A la Lyre d’Apollon ». Nos 145-296.
scan page 159, line 19See the scan
Read the transcript line
This is what the software read off the scan, not the page itself. The cited line is marked, and three lines either side are shown for context.
scan page 159, line 19
- PARIS (Claude) — Paris circa 1780. Good workmanship. Orange varnish. Was established rue Roulle-Saint-Honoré.
- PAUL (Pierre-Saint) — Paris circa 1740. Instruments of the Amati model. Grey-yellow or red varnish. He was established at rue Saint-André-des-Arts. Sign-board: « A la Lyre d’Apollon ». Nos 145-296.
- PAUL (Antoine-Saint) — Paris circa 1770. Successor of Guersan. Very pretty make of the xviiiith century Parisian School. His sign-board was: « Au Luth Royal ».
An encyclopedia of the violin (1925)
SAINT-PAUL, PIERRE, Paris, 1740 to 1743.
scan page 62, line 28; scan page 64, line 55See the scans: 62, 64source record
Read the transcript line
This is what the software read off the scan, not the page itself. The cited line is marked, and three lines either side are shown for context.
scan page 62, line 28
- SACQUIN, ——, Paris, b. about 1811, d. 1860.
- SAINPRAE (SAINPRA), JAKOB, Berlin, 17th century.
- SAINT-PAUL, ANTOINE, Paris, 1768 to 1789.
- SAINT-PAUL, PIERRE, Paris, 1740 to 1743.
- SAJOT, ——, Paris, 1720 to 1734.
- SALLE, LE PÈRE, Paris, 1825 to 1850.
- SALO, GASPARO DA, see Bertolotti.
Named in 2 books printed between 1925 and 1928. Read by software from scans of those pages, not yet checked by a person against the page. Entries from 2 books stand under this name, and the software judged them likely the same person. Tell us if that is wrong and we will split the record.
Details and sources
Record note
Not established is the honest state of this record: it rests on one or more sources naming this maker, and nothing else on this site confirms it. Printed in: An encyclopedia of the violin (1925); An Encyclopedia of the Violin (1926); Dictionary of Violin makers (1928). Entries from 2 books stand under this name, and the software judged them likely the same person. Tell us if that is wrong and we will split the record. No claim beyond what those sources state has been invented here; if you can add to it, we want to hear from you.
What the books say
- Places and dates of work
- SAINT-PAUL, PIERRE, Paris, 1740 to 1743. reported1
- Places and dates of work
- SAINT-PAUL, PIERRE, Paris, 1740 to 1743. reported1
- Places and dates of work
- PAUL (Pierre-Saint) — Paris circa 1740. Instruments of the Amati model. Grey-yellow or red varnish. He was established at rue Saint-André-des-Arts. Sign-board: « A la Lyre d’Apollon ». Nos 145-296. reported1
How the pages were read
3 of the 3 lines here were read from machine text (software that turns a photo of a page into words), not by a person looking at the page image. 1 of them rests on a section heading above a list of names, not on a trade word printed on its own line: “VIOLIN MAKERS IN EUROPE”.
Notes
- Read from machine text (software that turns a photo of a page into words, or a typed transcription), not by a person looking at the page image. ↩
The books behind this record
This record draws on 2 sources, both read from machine text. The count weighs how well each source was read, not just how many are cited. A stack of half-read sources does not outweigh one page read properly.
- Alberto Bachmann, An encyclopedia of the violin (1925). archive.org, encyclopediaofvi0000albe_h3k7. https://archive.org/details/encyclopediaofvi0000albe_h3k7.
scan page 62, line 28
- Alberto Bachmann, An Encyclopedia of the Violin (1925). archive.org, encyclopediaofvi0000albe_u1d5. https://archive.org/details/encyclopediaofvi0000albe_u1d5.
scan page 64, line 55
- Arnold Sewell, Dictionary of Violin makers (1928). archive.org, dictionaryofviol0000arno. https://archive.org/details/dictionaryofviol0000arno.
scan page 159, line 19