Bow & Bridge

Sanoni, Giovanni Battista

As printed

  1. Die Geigen- und Lautenmacher vom Mittelalter bis zur Gegenwart (1904)

    Sanoni, Giovanni Battista. — Verona. 1680 (?). 1740.

    scan page 582, line 20See the scan

    Read the transcript line

    This is what the software read off the scan, not the page itself. The cited line is marked, and three lines either side are shown for context.

    scan page 582, line 20

    1. Sanguino, Francisco. — Sevilla. 1759.
    2. Ein spanischer Lautenmacher, dessen Guitarren etc. reich mit Perlmutter eingelegt und durch ihre besondere Dicke bemerkenswerth sind.
    4. Sanoni, Giovanni Battista. — Verona. 1680 (?). 1740.
    5. Einer der wenigen Geigenmacher seiner Zeit, die sich von den grossen Meistern nicht beeinflussen liessen. Er arbeitete nach einem eigenen, hochgewölbten Modell und gebrauchte einen röthlichen Lack. Seine Arbeit ist gut.
    7. Sanson (»Mastro«). — Venedig.

  2. Die Geigen und Lautenmacher vom Mittelalter bis zur Gegenwart (1922)

    Sanoni, Giovanni Battista. — Verona. 1680 (?). 1740

    scan page 440, line 31See the scan

    Read the transcript line

    This is what the software read off the scan, not the page itself. The cited line is marked, and three lines either side are shown for context.

    scan page 440, line 31

    1. Sanhudo, Sebastião. — Porto. 1860
    2. Ein sehr handwerksmäßig arbeitender Portugiese, der einen schlechten Spirituslack verwendet und viele gute Geigen zu Tode repariert hat.
    4. Sanoni, Giovanni Battista. — Verona. 1680 (?). 1740
    5. Einer der wenigen Geigenmacher seiner Zeit, die sich von den großen Meistern nicht beeinflussen ließen. Er arbeitete nach einem eigenen, hochgewölbten Modell und gebrauchte einen rötlichen Lack. Seine Arbeit ist gut.
    7. Sanson (»Mastro«). — Venedig

  3. An encyclopedia of the violin (1925)

    SANONI, GIOVANNI BATTISTA, Verona, 1680 to 1740.

    scan page 62, line 33; scan page 64, line 65See the scans: 62, 64source record

    Read the transcript line

    This is what the software read off the scan, not the page itself. The cited line is marked, and three lines either side are shown for context.

    scan page 62, line 33

    1. SALLE, LE PÈRE, Paris, 1825 to 1850.
    2. SALO, GASPARO DA, see Bertolotti.
    3. SALOMON, JEAN-BAPTIST-DESHAYES, Paris, 1740, d. about 1772.
    4. SANONI, GIOVANNI BATTISTA, Verona, 1680 to 1740.
    5. SANTAGIULIANA, GIACINTO, Vicenza, Venice, 1770 to 1830.
    6. SANTE, ——, Pesaro, 1670.
    7. SANTE (SANTO), GIUSEPPE, Rome, 1778.

Named in 3 books printed between 1904 and 1925. Read by software from scans of those pages, not yet checked by a person against the page. Entries from 3 books stand under this name, and the software judged them likely the same person. Tell us if that is wrong and we will split the record.

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Details and sources

Record note

Printed in An encyclopedia of the violin (1925); An Encyclopedia of the Violin (1926); Die Geigen- und Lautenmacher vom Mittelalter bis zur Gegenwart (1904); Die Geigen und Lautenmacher vom Mittelalter bis zur Gegenwart (1922), and nowhere else on this site: that is the entire basis of this maker’s record. Entries from 3 books stand under this name, and the software judged them likely the same person. Tell us if that is wrong and we will split the record. No claim beyond the printed naming is invented here — not established is the accurate word for it, and we want to hear from you if that can change.

What the books say

Places and dates of work
SANONI, GIOVANNI BATTISTA, Verona, 1680 to 1740. reported1
Places and dates of work
SANONI, GIOVANNI BATTISTA, Verona, 1680 to 1740. reported1
Places and dates of work
Sanoni, Giovanni Battista. — Verona. 1680 (?). 1740. reported1
Places and dates of work
Sanoni, Giovanni Battista. — Verona. 1680 (?). 1740 reported1

How the pages were read

4 of the 4 lines here were read from machine text (software that turns a photo of a page into words), not by a person looking at the page image. 1 of them rests on a section heading above a list of names, not on a trade word printed on its own line: “VIOLIN MAKERS IN EUROPE”.

Notes

  1. Read from machine text (software that turns a photo of a page into words, or a typed transcription), not by a person looking at the page image. ↩

The books behind this record

This record draws on 3 sources, all read from machine text. The count weighs how well each source was read, not just how many are cited. A stack of half-read sources does not outweigh one page read properly.

  1. Alberto Bachmann, An encyclopedia of the violin (1925). archive.org, encyclopediaofvi0000albe_h3k7. https://archive.org/details/encyclopediaofvi0000albe_h3k7.machine textcited for 1 linesource record

    scan page 62, line 33

  2. Alberto Bachmann, An Encyclopedia of the Violin (1925). archive.org, encyclopediaofvi0000albe_u1d5. https://archive.org/details/encyclopediaofvi0000albe_u1d5.machine textcited for 1 linesource record

    scan page 64, line 65

  3. Die Geigen- und Lautenmacher vom Mittelalter bis zur Gegenwart (1904). archive.org, diegeigenundlau00vongoog. https://archive.org/details/diegeigenundlau00vongoog.machine textcited for 1 linesource record

    scan page 582, line 20

  4. Die Geigen und Lautenmacher vom Mittelalter bis zur Gegenwart (1922). archive.org, diegeigenundlaut02lt. https://archive.org/details/diegeigenundlaut02lt.machine textcited for 1 linesource record

    scan page 440, line 31