Bow & Bridge

Sneider, Joseph

As printed

  1. An encyclopedia of the violin (1925)

    SNEIDER, JOSEPH, Pavia, 1701 to 1718.

    scan page 65, line 22; scan page 67, line 20See the scans: 65, 67source record

    Read the transcript line

    This is what the software read off the scan, not the page itself. The cited line is marked, and three lines either side are shown for context.

    scan page 65, line 22

    1. SMITH, HENRY, London, 1629 to 1633.
    2. SMITH, THOMAS, London, 1750 to 1799.
    3. SMITH, WILLIAM, London, Hedon (Yorkshire), 1770 to 1786.
    4. SNEIDER, JOSEPH, Pavia, 1701 to 1718.
    5. SNOECK (SCHNOECK), EGIDIUS, Brussels, 1700 to 1730.
    6. SOCCHI, VINCENZO, Bologna, 1661.
    7. SOCQUET, LOUIS, Paris, 1750, 1800.

  2. An encyclopedia of the violin (n.d.)

    SNEIDER, JOSEPH, Pavia, 1701 to 1718.

    scan page 69, line 22See the scan

    Read the transcript line

    This is what the software read off the scan, not the page itself. The cited line is marked, and three lines either side are shown for context.

    scan page 69, line 22

    1. SMITH, HENRY, London, 1629 to 1633.
    2. SMITH, THOMAS, London, 1750 to 1799.
    3. SMITH, WILLIAM, London, Hedon (Yorkshire), 1770 to 1786.
    4. SNEIDER, JOSEPH, Pavia, 1701 to 1718.
    5. SNOECK (SCHNOECK), EGIDIUS, Brussels, 1700 to 1730.
    6. SOCCHI, VINCENZO, Bologna, 1661.
    7. SOCQUET, LOUIS, Paris, 1750, 1800.

  3. Die Geigen und Lautenmacher vom Mittelalter bis zur Gegenwart (1922)

    Sneider, Joseph. — Pavia. 1701. 1718

    scan page 476, line 20See the scan

    Read the transcript line

    This is what the software read off the scan, not the page itself. The cited line is marked, and three lines either side are shown for context.

    scan page 476, line 20

    1. Ein Lautenmacher, den Valdrighi (3000) erwähnt. Von ihm besitzt C. Claudius in Kopenhagen eine Mandoline und W. Heyers Musikhistorisches Museum in Köln eine kleine Oktavlaute (Pandurina).
    2. Geigenzettel: Giovanni Smorzone / In Roma 1724 (gedruckt).
    4. Sneider, Joseph. — Pavia. 1701. 1718
    5. Ein Schüler Nicola Amatis und wahrscheinlich, wie sein älterer Mitschüler Leopold »Tedesco«, von deutscher Abstammung. Er ahmte seinen Meister nach, arbeitete sehr schön, hatte einen guten, durchsichtigen Lack von gelber oder hellbrauner Farbe. Die Wölbung nahm er mäßig hoch, schnitt schön geschwungene F-Löcher und eine hübsche Schnecke.
    6. Geigenzettel: Abb. 668.

Named in 3 books printed between 1922 and 1925. Read by software from scans of those pages, not yet checked by a person against the page. Entries from 3 books stand under this name, and the software judged them likely the same person. Tell us if that is wrong and we will split the record.

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Details and sources

Record note

Not established: that is this record’s honest state, resting on one thing alone — An encyclopedia of the violin (1925); An encyclopedia of the violin (1925); An Encyclopedia of the Violin (1926); Die Geigen und Lautenmacher vom Mittelalter bis zur Gegenwart (1922), naming this maker and nothing more. Entries from 3 books stand under this name, and the software judged them likely the same person. Tell us if that is wrong and we will split the record. No claim beyond what is printed there has been invented here. If more can be said, write in and tell us.

What the books say

Places and dates of work
SNEIDER, JOSEPH, Pavia, 1701 to 1718. reported1
Places and dates of work
SNEIDER, JOSEPH, Pavia, 1701 to 1718. reported1
Places and dates of work
SNEIDER, JOSEPH, Pavia, 1701 to 1718. reported1
Places and dates of work
Sneider, Joseph. — Pavia. 1701. 1718 reported1

How the pages were read

4 of the 4 lines here were read from machine text (software that turns a photo of a page into words), not by a person looking at the page image. 1 of them rests on a section heading above a list of names, not on a trade word printed on its own line: “VIOLIN MAKERS IN EUROPE”.

Notes

  1. Read from machine text (software that turns a photo of a page into words, or a typed transcription), not by a person looking at the page image. ↩

The books behind this record

This record draws on 3 sources, all read from machine text. The count weighs how well each source was read, not just how many are cited. A stack of half-read sources does not outweigh one page read properly.

  1. Alberto Bachmann, An encyclopedia of the violin (1925). archive.org, encyclopediaofvi0000albe_h3k7. https://archive.org/details/encyclopediaofvi0000albe_h3k7.machine textcited for 1 linesource record

    scan page 65, line 22

  2. Bachmann, Alberto and Ysaye, Eugene, An encyclopedia of the violin (New York, Da Capo Press, n.d.). archive.org, encyclopediaofvi0000bach_r6r5. https://archive.org/details/encyclopediaofvi0000bach_r6r5.machine textcited for 1 linesource record

    scan page 69, line 22

  3. Alberto Bachmann, An Encyclopedia of the Violin (1925). archive.org, encyclopediaofvi0000albe_u1d5. https://archive.org/details/encyclopediaofvi0000albe_u1d5.machine textcited for 1 linesource record

    scan page 67, line 20

  4. Die Geigen und Lautenmacher vom Mittelalter bis zur Gegenwart (1922). archive.org, diegeigenundlaut02lt. https://archive.org/details/diegeigenundlaut02lt.machine textcited for 1 linesource record

    scan page 476, line 20